Who would have thought a chair could be so wise? The Old Green Chair tells in story form how solutions to seemingly impossible problems are there for the finding. The second in THE HOUSE SERIES OF PICTURE BOOKS FOR CHILDREN, this charming story shows that when it seems things couldn’t get any worse, life can take a turn that could hardly be better.

Lime Green Chair by Chris Andrews was chosen by Waywiser Press and their guest judge, Mark Strand as the 2011 Anthony Hecht Poetry Prize winner. It is a collection of poems prompted by episodes from life in urban Australia, or dreamt, or constructed from curious fragments of language, or, most often, produced in all three ways. They range in tone f

Green Chair is a South Korean film directed by Park Chul-soo, that was released in 2005. It is about an affair between an attractive thirty-two-year-old woman and a youth just short of legal majority. Interlaced with explicit scenes of love making, the movie watches the two lovers trying to come to grips with their mutual attraction, sexuality and societal disapproval.

"..."The Stick Chair Book" is divided into three sections. The first section, "Thinking About Chairs," introduces you to the world of common stick chairs, plus the tools and wood to build them. The second section - "Chairmaking Techniques" - covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you'll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice. The final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design. Additional chapters in the book cover chair comfort, finishing and sharpening the tools. From the author: "When I first wrote 'The Stick Chair Book' in 2021, I was also fighting cancer. So I hammered out the text with urgency and the desire to record every fragment of information I knew about chairmaking. "To be fair, that's usually how I go about writing all my books. But then I typically take a couple months off, put the manuscript aside, then revisit it with fresh eyes and a sharpened pen. My final revisions remove about 10-20 percent of the original material. The stuff I cut is usually chapters that don't match the tone of the rest of the text. Or I snip sections that aren't as relevant as when I first wrote them. I also smooth out the writing and add bits of information I'd forgotten during the first brain-to-fingers dump. "And that's exactly what I've done for this revised edition. As a result, the text is 10.1 percent shorter than the first edition. It's more to the point. And it's where the manuscript would have ended up under normal conditions..."--Publisher's website.

The red-headed woodpecker flew away, up, up, high in the tree. That is just when Jo bumped into the bee! Join Jo as she thinks about what she can do with her bright-green chair in Jo and Her Bright-Green Chair.

Discriminating decorators and collectors, no less than dealers and researchers in antiques, have long felt the need of a comprehensive study of the ornamented chair and its development in America. This book is the product of an effort to satisfy that need and at the same time to bring new pleasures to lovers of beautiful furniture. The book is based on photographic and research material collected by the late Esther Stevens Brazer, who spent a lifetime in the study and revival of early American decoration. The authors are all qualified researchers, teachers, and decorators. In their text they present a general history of chair types, facts regarding ornamentation, and informative accounts of some of the leading craftsmen and decorators of the various periods. The final chapter of the book briefly relates the history of the Society and describes how its members carry forward the efforts of Esther Stevens Brazer, maintaining in their research, their teaching, and their restorations the standards of an old craft and the traditions of its finest workmen.