Excerpt from Greek Tragedy in the Light of Vase Paintings Although the archaeologists and mythologists constitute for the most part the number of those seriously concerned with Greek vases, there still remain many engaged in the study of Greek literature for whom the vases are bound to possess an abiding value, since they often relate the stories that Homer, Pindar, Aischylos, and Euripides tell. One may find on vases of the fourth, fifth, and sixth centuries B.C. illustrations for not a few of the famous pieces in Greek poetry. The paintings may have been an outgrowth of the common stock of legendary tales, having their origin in the folk-lore, and in such cases they are independent of the written literature and go along, so to speak, parallel with the work of the poets, who drew from the same source. These paintings are valuable as illustrations of the myths, quite apart from any literary version of the same. Another class still more interesting, perhaps, owe their origin to some particular poem or play, and are to be taken as direct products of the poets' work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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