Examines the Mesopotamian influence on Greek mythology in literary works of the epic period, concentrating in particular on journey myths. A major contribution to the understanding of the colourful myths involved.

The stories translated here all of ancient Mesopotamia, and include not only myths about the Creation and stories of the Flood, but also the longest and greatest literary composition, the Epic of Gilgamesh. This is the story of a heroic quest for fame and immortality, pursued by a man of great strength who loses a unique opportunity through a moment's weakness. So much has been discovered in recent years both by way of new tablets and points of grammar and lexicography that these new translations by Stephanie Dalley supersede all previous versions. -- from back cover.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

This book includes two captivating manuscripts: Mesopotamian Mythology: A Captivating Guide to Ancient Near Eastern Myths Sumerian Mythology: Captivating Myths of Gods, Goddesses, and Legendary Creatures of Ancient Sumer and Their Importance to the Sumerians

Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.

From the noble Titan Prometheus who stole fire from Mount Olympus to the bloody tale of how Kronos castrated his own father Ouranos to avenge his mother Gaia, these visceral, often dark and powerful stories about the creation of the world are also larger than life projections of human passions, the exercise of power in a violent and hierarchical world and a reflection on the bitter-sweet human condition. With their remote origins in Mesopotamia and the ancient civilisations of the Near East, these myths come down to us primarily from the early Greek poet and farmer Hesiod in his two epic poems; the Theogony and the Works and Days. Drawing on Hesiod's account as well as ancient authors such as Ovid, Aeschylus and Apollodorus of Alexandria, In the Beginning was Chaos recounts the stories of the ancient Greeks about how the world began, the creation of humanity and their troubled relationship with the Gods. It includes the war between the Olympians and the Titans, Prometheus and his struggle with Zeus, as well as detailed descriptions of the twelve Olympian gods and goddesses and an account of the Underworld. It also includes the story Deucalion and Pyrrha and the great flood with its striking parallels to the Biblical account of the flood.

This book proposes a new approach to the study of ancient Greek and Mesopotamian literature. Ranging from Homer and Gilgamesh to Herodotus and the Babylonian-Greek author Berossos, it paints a picture of two literary cultures that, over the course of time, became profoundly entwined. Along the way, the book addresses many questions that are of interest to the student of the ancient world: how did the literature of Greece relate to that of its eastern neighbours? What did ancient readers from different cultures think it meant to be human? Who invented the writing of universal history as we know it? How did the Greeks come to divide the world into Greeks and 'barbarians', and what happened when they came to live alongside those 'barbarians' after the conquests of Alexander the Great? In addressing these questions, the book draws on cutting-edge research in comparative literature, postcolonial studies and archive theory.