The Greeks invented history as a literary genre in the fifth century BC. This book follows the development of history from Herodotus, via Thucydides, Xenophon and Polybius, until the Hellenistic age.

This volume provides an accessible, comprehensive, and up-to-date survey of the ancient Greek genre of historical writing from its origins before Herodotus to the Greek historians of the Roman imperial era, seven centuries later. Focuses on the themes of power and human nature, causation, divine justice, leadership, civilization versus barbarism, legacy, and literary reception Includes thorough summaries alongside textual analysis that signpost key passages and highlight thematic connections, helping readers navigate their way through the original texts Situates historical writing among the forms of epic and lyric poetry, drama, philosophy, and science Uses the best current translations and includes a detailed list of further reading that includes important new scholarship

This survey of more recent work on Herodotus, Thucydides and Polybius synthesises some of the most important research from the last few decades.

The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient rhetors and literary critics. Writings on historiography by Cicero, Quintilian, and Dionysius of Halicarnassus are chiefly taken into account to explore the canons of Greek historians in Hellenistic and Roman Imperial Ages. Essential in canon-formation was the concept of classicism which took shape in the Age of Augustus, but whose earlier developments can be traced back to Isocrates, a model rhetor according to Dionysius at the end of the 1st century BC. The analysis explores also late-antique authors of school treatises and progymnasmata, a field where historiography had a pedagogical function. Previous studies on canonical literature have rarely considered historiography. This book examines not only the works of ancient historians and their legacy, but also the relationship between historiography, literary criticism, and the rhetorical tradition.

This book is the first comprehensive study of Greek and Latin historiography from Constantine to the end of the sixth century AD. It aims to examine the development of late antique historiography, stressing chiefly the relations between pagan and Christian historians, their polemics but also their often neglected agreements. Of special importance is the study of the Church historians who are considerable but not adequately known sources for the political and social history of the period. Greek and Latin Historiography in Late Antiquity is a highly valuable and useful reference tool for both scholars and students. Greek and Roman Historiography in Late Antiquity has been selected by Choice as Outstanding Academic Title (2005).

This two-volume Companion to Greek and Roman Historiography reflects the new directions and interpretations that have arisen in the field of ancient historiography in the past few decades. Comprises a series of cutting edge articles written by recognised scholars Presents broad, chronological treatments of important issues in the writing of history and antiquity These are complemented by chapters on individual genres and sub-genres from the fifth century B.C.E. to the fourth century C.E. Provides a series of interpretative readings on the individual historians Contains essays on the neighbouring genres of tragedy, biography, and epic, among others, and their relationship to history

The family, Cynthia Patterson demonstrates, played a key role in the political changes that mark the history of ancient Greece. From the archaic society portrayed in Homer and Hesiod to the Hellenistic age, the private world of the family and household was integral with and essential to the civic realm. Early Greek society was rooted not in clans but in individual households, and a man's or woman's place in the larger community was determined by relationships within those households. The development of the city-state did not result in loss of the family's power and authority, Patterson argues; rather, the protection of household relationships was an important element of early public law. The interaction of civic and family concerns in classical Athens is neatly articulated by the examples of marriage and adultery laws. In law courts and in theater performances, violation of marital relationships was presented as a public danger, the adulterer as a sexual thief. This is an understanding that fits the Athenian concept of the city as the highest form of family. The suppression of the cities with the ascendancy of Alexander's empire led to a new resolution of the relationship between public and private authority: the concept of a community of households, which is clearly exemplified in Menander's plays. Undercutting common interpretations of Greek experience as evolving from clan to patriarchal state, Patterson's insightful analysis sheds new light on the role of men and women in Greek culture.