Greek Dialogue in Antiquity reexamines evidence for Greek dialogue between the mid-fourth century BCE and the mid-first century CE - that is, roughly from Plato's death to the death of Philo of Alexandria. Although the genre of dialogue in antiquity has attracted a growing interest in the past two decades, the time covered in this book has remained overlooked and unresearched, with scholars believing that for much of this period the dialogue genre went through a period of decline and was revived only in the Roman times. The book carefully reassesses Post-Platonic and Hellenistic evidence, including papyri fragments, which have never been discussed in this context, and challenges the narrative of the dialogue's decline and subsequent revival, postulating, instead, the genre's unbroken continuity from the Classical period to the Roman Empire. It argues that dialogues and texts creatively interacting with dialogic conventions were composed throughout Hellenistic times, and proposes to reconceptualize the imperial period dialogue as evidence not of a resurgence, but of continuity in this literary tradition.

Greek Dialogue in Antiquity reexamines evidence for Greek dialogue between the mid-fourth century BCE and the mid-first century CE - that is, roughly from Plato's death to the death of Philo of Alexandria. Although the genre of dialogue in antiquity has attracted a growing interest in the past two decades, the time covered in this book has remained overlooked and unresearched, with scholars believing that for much of this period the dialogue genre went through a period of decline and was revived only in the Roman times. The book carefully reassesses Post-Platonic and Hellenistic evidence, including papyri fragments, which have never been discussed in this context, and challenges the narrative of the dialogue's decline and subsequent revival, postulating, instead, the genre's unbroken continuity from the Classical period to the Roman Empire. It argues that dialogues and texts creatively interacting with dialogic conventions were composed throughout Hellenistic times, and proposes to reconceptualize the imperial period dialogue as evidence not of a resurgence, but of continuity in this literary tradition.

A Companion to Greek Literature presents a comprehensive introduction to the wide range of texts and literary forms produced in the Greek language over the course of a millennium beginning from the 6th century BCE up to the early years of the Byzantine Empire. Features contributions from a wide range of established experts and emerging scholars of Greek literature Offers comprehensive coverage of the many genres and literary forms produced by the ancient Greeks—including epic and lyric poetry, oratory, historiography, biography, philosophy, the novel, and technical literature Includes readings that address the production and transmission of ancient Greek texts, historic reception, individual authors, and much more Explores the subject of ancient Greek literature in innovative ways

Late Antiquity has attracted a significant amount of attention in recent years. As a historical period it has thus far been defined by the transformation of Roman institutions, the emergence of distinct religious cultures (Jewish, Christian, Islamic), and the transmission of ancient knowledge to medieval and early modern Europe. Despite all this, the study of late antique literary culture is still in its infancy, especially for the Greek and other eastern texts examined in this volume. The contributions here presented make new inroads into a rich literature notable above all for its flexibility and unparalleled creativity in combining multiple languages and literary traditions. The authors and texts discussed include Philostratus, Eusebius of Caesarea, Nonnos of Panopolis, the important St Polyeuktos epigram, and numerous others. The volume makes use of a variety of interdisciplinary approaches in an attempt to provoke discussion on change (Dynamism), literary education (Didacticism), and reception studies (Classicism). The result is a study which highlights the erudition and literary sophistication characteristic of the period and brings questions of contextualization, linguistic association, and artistic imagination to bear on little-known or undervalued texts, without neglecting important evidence from material culture and social practices. With contributions by both established scholars and young innovators in the field of late antique studies, there is no work of comparable authority or scope currently available. This volume will stimulate further interest in a range of untapped texts from Late Antiquity.

How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.

The aim of this book is to make Lucian's A True Story accessible to intermediate students of Ancient Greek. The running vocabulary and commentary are meant to provide everything necessary to read each page. Lucian's A True Story is a great text for intermediate readers. Its breathless narrative does not involve many complex sentences or constructions; there is some unusual vocabulary and a few departures from Attic Greek, but for the most part it is a straightforward narrative that is fun and interesting by one of antiquity's cleverest authors. In A True Story, Lucian parodies accounts of fanciful adventures and travel to incredible places by authors such as Ctesias and Iambulus. The story's combination of mockery and learning makes it an excellent example of the Greek literature of the imperial period. Revised August, 2014.

Receptions of Greek and Roman Antiquity in East Asia is an interdisciplinary, collaborative, and global effort to examine the receptions of the Western Classical tradition in a cross-cultural context. The inclusion of modern East Asia in Classical reception studies not only allows scholars in the field to expand the scope of their scholarly inquiries but will also become a vital step toward transcending the meaning of Greco-Roman tradition into a common legacy for all of human society.