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A richly rewarding narrative about a young painter's love affair with the Greek island of Sifnos When Christian Brechneff first set foot on the Greek island of Sifnos, it was the spring of 1972 and he was a twenty-one-year-old painter searching for artistic inspiration and a quiet place to work. There, this Swiss child of Russian émigrés, adrift and confused about his sexuality, found something extraordinary. In Sifnos, he found a muse, a subject he was to paint for years, and a sanctuary. In The Greek House, Brechneff tells a funny, touching narrative about his relationship to Sifnos, writing with warmth about its unforgettable residents and the house he bought in a hilltop farm village. This is the story of how he fell in love with Greece, and how it became a haven from the complexities of his life in Western Europe and New York. It is the story of his village and of the island during the thirty-odd years he owned the house—from a time when there were barely any roads, to the arrival of the modern world with its tourists and high-speed boats and the euro. And it is the story of the end of the love affair—how the island changed and he changed, how he discovered he had outgrown Sifnos, or couldn't grow there anymore. The Greek House is a celebration of place and an honest narrative of self-discovery. In its pages, a naïve and inexperienced young man comes into his own. Weaving himself into the life of the island, painting it year after year, he finds a place he can call home.

In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton's Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

As World War II intrudes upon their home, three young friends risk everything for freedom, love, and a chance at a better life. On October 28th, 1940, Mussolini provides Greek Prime Minister Ioannis Metaxas with an ultimatum: either allow Axis forces to occupy their country, or face war, and Greece's response is swift. "Oxi!" they say. "No!" In a small village nestled against the radiant waters of the Aegean Sea, we find Alexei, the son of a local fisherman, and his best friend Costa, who were both born on the same night eighteen years earlier and have been like brothers ever since, though now, like all the other young men in their village and throughout Greece, they will leave their homes to bravely fight for their country. But before they go, Alexei asks Philia, the girl that he's loved his entire life, to marry him, which sets into motion the events which will change the lives of these three and their family and friends forever, and begins an epic and unforgettable story of courage, survival, sacrifice, the strength of the human spirit, and of a love and friendship that will echo across time and generations. A spellbinding novel and sweeping romance that performs the remarkable feat of creating action-packed scenes, characters that we care deeply about, and revealing in vivid detail the untold true story of how Greece helped the Allies to win World War II, Once We Were Here is an unforgettable tale that pays tribute to the brave men and women who fought and gave everything for their country, for each other, and for freedom.

Inspired by her beloved blog, dinneralovestory.com, Jenny Rosenstrach’s Dinner: A Love Story is many wonderful things: a memoir, a love story, a practical how-to guide for strengthening family bonds by making the most of dinnertime, and a compendium of magnificent, palate-pleasing recipes. Fans of “Pioneer Woman” Ree Drummond, Jessica Seinfeld, Amanda Hesser, Real Simple, and former readers of Cookie magazine will revel in these delectable dishes, and in the unforgettable story of Jenny’s transformation from enthusiastic kitchen novice to family dinnertime doyenne.

Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.

Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.