The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of the finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole---creating an exceptional resource for worship or recital planning. Titles Include: Carry Me Home (Shafferman) * Every Time I Feel the Spirit (Hayes) * Give Me Jesus (Shackley) * Go Tell It (Sterling) * Here's One (Fettke) * Joshua Fit the Battle of Jericho (Hayes) * Were You There (Shackley).

Beloved spirituals include such lasting favorites as All God's Children Got Shoes, Balm in Gilead, Deep River, Down by the Riverside, Ezekiel Saw the Wheel, Gimme That Ol'-Time Religion, He's Got the Whole World in His Hand, Roll, Jordan, Roll, Sometimes I Feel Like a Motherless Child, Steal Away to Jesus, Swing Low, Sweet Chariot, This Train, Wade in the Water, We Are Climbing Jacob's Ladder, Were You There When They Crucified My Lord? and many more. Excellent for sing-alongs, community programs, church functions, and other events.

Soul Praise is filled with powerful hymns and songs from the rich culture of the African-American church, accompanied by the many powerful stories and insights behind these songs and hymns. This book will help you explore the people, places, and events that have shaped the heart and soul of African-American worship music throughout the years. You will be reminded of the deep spiritual heritage reflected in such lasting favorites as: Precious Lord, Take My Hand, Thomas A. Dorsey There Is a Balm in Gilead, traditional Swing Low, Sweet Chariot traditional Stand By Me,Charles A. Tindley Deep River, H.T. Burleigh Sometimes I Feel Like a Motherless Child,James Weldon Johnson ...and many more

The newest installment of the popular Portraits in Song series is an exceptional collection of some of the most popular spirituals set by many of the finest arrangers of our generation. The solos can be performed in worship or recital. A brief explanation is offered for each of the selections and for the genre as a whole---creating an exceptional resource for worship or recital planning. Titles Include: Carry Me Home (Shafferman) * Every Time I Feel the Spirit (Hayes) * Give Me Jesus (Shackley) * Go Tell It (Sterling) * Here's One (Fettke) * Joshua Fit the Battle of Jericho (Hayes) * Were You There (Shackley).

Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.

Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles.

African American spirituals comprise one of the world's greatest and best-loved bodies of music. The Oxford Book of Spirituals is the first anthology to present a comprehensive survey of the genre's repertoire -- its principal composers, themes, and forms -- in a way that is at once stylistically authentic, historically meaningful, and intended for practical use both in worship and in concert. This collection features a rich array of songs, both familiar and less familiar, arranged for SATB choir by twenty-eight of the most significant American composers and presented in chronological order from the beginning of the twentieth century to the present.