Book gives instruction and extensive practical exercises and activities in essay writing at the high-intermediate to advanced level. Provides instruction in several rhetorical styles and exercises that offer practice in both working with the writling process and developing a final written product.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

This classic volume contains a collection of essays written by Hilaire Belloc. Joseph Hilaire Pierre René Belloc (1870–1953) was an Anglo-French historian and author, considered to be one of the most productive English writers of the early twentieth century. The essays cover a range of topics, and were originally published in other works, including “The Path to Rome” (1903) and “The Eye-Witness” (1908). Contents include: “The Fog”, “Ronsard”, “The Apprentice”, “Valmy”, “Barbary”, “The Second of November, 1902”, and “London River”. This collection is highly recommended for fans of Belloc’s work, and is not to be missed by the discerning collector. Many classic books such as this are becoming increasingly rare and expensive. We are republishing this book now in an affordable, high-quality edition complete with a specially commissioned new biography of the author.

Essays spanning four centuries reflect the wit, wisdom, and common sense of a number of distinguished English writers. Includes works by Addison, Swift, Johnson, Goldsmith, Lamb, Woolf, Shaw, and others.

This is a refreshingly written guide to essay writing aimed at undergraduates on English, Humanities and modular courses.

These widely acclaimed essays from the author of Infinite Jest -- on television, tennis, cruise ships, and more -- established David Foster Wallace as one of the preeminent essayists of his generation. In this exuberantly praised book -- a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner -- David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.

This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.