Arranged thematically--from Class and Character, Sex and Snobbery, to the Foreigner's Eye View--here is the definitive collection of the British nation's funniest quotations. Among the many great and good who dazzle us with their wit are Martin Amis, Jane Austen, Billy Connolly, Quentin Crisp, Roald Dahl, John Lennon, Queen Victoria, and Oscar Wilde.

Nobody does irony or sarcasm like the English. The Wicked Wit of England is celebration of British humour, featuring a collection of stories, anecdotes, quips and quotes that capture the various idiosyncrasies of the English character.

Got wit? We’ve all been in that situation where we need to say something clever, but innocuous; smart enough to show some intelligence, without showing off; something funny, but not a joke. What we need in that moment is wit—that sparkling combination of charm, humor, confidence, and most of all, the right words at the right time. Elements of Wit is an engaging book that brings together the greatest wits of our time, and previous ones from Oscar Wilde to Nora Ephron, Winston Churchill to Christopher Hitchens, Mae West to Louis CK, and many in between. With chapters covering the essential ingredients of wit, this primer sheds light on how anyone—introverts, extroverts, wallflowers, and bon vivants—can find the right zinger, quip, parry, or retort…or at least be a little bit more interesting.

Entertaining, illuminating, and entirely unique, Wit’s End “convey[s] the power of wit to refresh the mind” (Henry Hitchings, Wall Street Journal). In “this inventive and playful book” (Tom Beer, Newsday), James Geary explores every facet of wittiness, from its role in innovation to why puns are the highest form of wit. Adopting a different style for each chapter—from dramatic dialogue to sermon, heroic couplets to a barroom monologue—Geary embodies wit in all its forms. Wit’s End agilely balances psychology, folktale, visual art, and literary history with lighthearted humor and acute insight, demonstrating that wit and wisdom are really the same thing.

A doorstopper of a collection of the very best of both contemporary and classic British wit and humour. From Monty Python's 'Nudge, nudge, wink, wink, say no more . . .' to Dan Antopolski's 'Hedgehogs. Why can't they just share the hedge?'. From George Bernard Shaw to Michael McIntyre, from Eric Morecombe to Omid Djalili, and from Oscar Wilde to Jimmy Carr, a side-splitting look at Britain, the British and life in general. Including these gems from Britain's finest comedians: I was delighted to learn that my friend's schadenfreude was not as satisfying as mine. Armando Iannucci. I went on a girls' night out recently. The invitation said 'dress to kill'. I went as Rose West. Zoe Lyons For a while I was the perfect mother. Then the Pethidine wore off. Jenny Eclair. My girlfriend was complaining last night that I never listen to her. Or something like that. Jack Dee. Why do dogs always race to the door when the doorbell rings because it's hardly ever for them? Harry Hill. Arse-gravy of the very worst kind. Stephen Fry on The Da Vinci Code. You have to come up with this shit every year. Last week I just wrote "I still love you, see last year's card for full details." Michael McIntyre on Valentines Day. I went to the doctor and he said, 'You've got hypochondria.' I said, 'Not that as well!'Tim Vine. I have the body of an eighteen year old. I keep it in the fridge. Spike Milligan. When someone close to you dies, move seats. Peter Kay. My neighbour asked if he could use my lawnmower and I told him of course he could, so long as he didn't take it out of my garden. Eric Morecambe. My dad's dying wish was to have his family around him. I can't help thinking he would have been better off with more oxygen. Jimmy Carr. Eighty-two point six per cent of statistics are made up on the spot. Vic Reeves. A bird in the hand invariably shits on your wrist. Billy Connolly. Getting divorced isn't like a bereavement at all, because if he's died, I'd have had me mortgage paid, and I could've danced on his grave. Sarah Millican. My greatest hero is Nelson Mandela: incarcerated for 25 years, he was released in 1990, he's been out about 18 years now and he hasn't re-offended. Ricky Gervais. If you want to confuse a girl, buy her a pair of chocolate shoes. Milton Jones. Phil Collins is losing his hearing, making him the luckiest man at a Phil Collins Concert. Simon Amstell. We'll continue our investigation into the political beliefs of nudists. We've already noticed a definite swing to the left. Ronnie Barker. A guy walks into the psychiatrist wearing only Clingfilm for shorts. The psychiatrist says, "Well, I can clearly see your nuts. Tommy Cooper

Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

This enchanting collection brings together hundreds of Churchill's wittiest remarks as a record of all that was best about this endearing, conceited, talented and wildly funny Englishman.