Gocking provides a historical overview of Ghana from the emergence of precolonial states through increasing contact with Europeans that led to the establishment of formal colonial rule by Great Britian at the end of the 19th century. Colonial rule transformed what was known as the Gold Coast economically, socially, and politically, but it contained the seeds of its own demise. After World War II an increasingly more effective nationalist movement challenged British rule, and in 1957 Ghana became independent. Independence brought its own challenges the most important of which was the inability to maintain political stability. Within the space of 24 years there were four military coups and the collapse of three republics. Ghana's Fourth Republic, established in 1993, has dealt with the legacy of instability inherited from the past as it moves towards a more stable future. A timeline, photographs, maps, and an appendix of biographies of notable figures in the history of Ghana are included. Students and adults alike will find this book to be highly effective in describing the often turbulent and tumultuous history of this country.

In 1943, ritual murder was committed in a large African kingdom in the south of Ghana, then a colony of Great Britain. Palace officials and close kin of a recently deceased king had reputedly killed one of his chiefs in order to smooth the king's passage into the afterlife. This riveting study tells the story of the murder, the trials and appeals of those accused of the crime, and the effect of the case on politics in Ghana and Great Britain. In recounting this fascinating case, the book also provides important insights into law and politics in the colonial Gold Coast, the clash between traditional and modern values, and the nature of African monarchy in the colonial period. Drawing on newly available oral and written evidence from Ghana and Britain, Richard Rathbone builds a detailed picture of the leading characters in the case, as well as of the thirty-year rule of Nana Ofori Atta, the king. He shows how the death of the king destroyed the economic, social, and moral fabric of the kingdom, and how this destruction was further exacerbated by legal proceedings resulting from the murder. The case set the indigenous royal family against the colonial government, challenging the authority of each. Close kinsmen of the accused, hitherto in the vanguard of moderate nationalism, were radicalized by their extended confrontation with the colonial justice system. It was their political initiatives that accelerated the formation of the Gold Coast's first national political party in the late 1940s, and which led in turn to the struggle for self-government and to the achievement of Ghanian independence in 1957.

This is a transnational history of the activist and intellectual network that connected the Black freedom struggle in the United States to liberation movements across the globe in the aftermath of World War II. John Munro charts the emergence of an anticolonial front within the postwar Black liberation movement comprising organisations such as the National Association for the Advancement of Colored People, the Council on African Affairs and the American Society for African Culture and leading figures such as W. E. B. Du Bois, Claudia Jones, Alphaeus Hunton, George Padmore, Richard Wright, Esther Cooper Jackson, Jack O'Dell and C. L. R. James. Drawing on a diverse array of personal papers, organisational records, novels, newspapers and scholarly literatures, the book follows the fortunes of this political formation, recasting the Cold War in light of decolonisation and racial capitalism and the postwar history of the United States in light of global developments.

Kwasi Kwarteng is the child of parents whose lives were shaped as subjects of the British Empire, first in their native Ghana, then as British immigrants. He brings a unique perspective and impeccable academic credentials to a narrative history of the British Empire, one that avoids sweeping judgmental condemnation and instead sees the Empire for what it was: a series of local fiefdoms administered in varying degrees of competence or brutality by a cast of characters as outsized and eccentric as anything conjured by Gilbert and Sullivan. The truth, as Kwarteng reveals, is that there was no such thing as a model for imperial administration; instead, appointees were schooled in quirky, independent-minded individuality. As a result the Empire was the product not of a grand idea but of often chaotic individual improvisation. The idiosyncrasies of viceroys and soldier-diplomats who ran the colonial enterprise continues to impact the world, from Kashmir to Sudan, Baghdad to Hong Kong.

"West African Soldiers in Britain's Colonial Army, 1860-1960 explores the history of Britain's West African colonial army based in Nigeria, Ghana, Sierra Leone and the Gambia placing it within a broader social context and emphasizing, as far as possible, the experience of the ordinary soldier. The aim is not to describe the many battles and campaigns fought by this force but to look at the development of the West African colonial army as an institution over the course of about a century. In pursuing this goal, it is sometimes useful to employ the lens of military culture defined differently by scholars but essentially meaning a set of shared ideas and behaviors that inform daily life in the military. While other locally recruited colonial militaries in Africa have attracted considerable attention from historians as they served as an essential pillar supporting European rule, this book represents the first comprehensive scholarly study of Britain's West African army which was the largest such British-led force south of the Sahara. The study is based on extensive archival research conducted in nine archives located in five countries"--

Ghana has always held a position of primacy in the African political and historical imagination, due in no small part to the indelible impression left president Kwame Nkrumah. This study examines the symbolic strategies he used to construct the Ghanaian state through currency, stamps, museums, flags, and other public icons.