The American Pipe Dream examines the many iterations of addiction as it was performed over the first half of the twentieth century, working from a massive archive of previously ignored material. Because the stage-addict became the primary way the U.S. public learned about addiction and drug use, Shulman argues that performance was essential in creating the addict in America’s cultural imagination. He demonstrates how modern-day perceptions of addiction and of the addict emerge from a complex history of accumulation and revision that spanned the Progressive Era, the Roaring Twenties, and the Great Depression. Chapters look at how theatre, film, and popular culture linked the Chinese immigrant and opium smoking; the early attacks on doctors for their part in the creation of addicts; the legislation of addiction as a criminal condition; the comic portrayals of addiction; the intersection of Black, jazz, and drug cultures through cabaret performance; and the linkage between narcotic inebriation and artistic inspiration. The American Pipe Dream creates active connections between these case studies, demonstrating how this history has influenced our contemporary understanding, treatment, and legislation of drug use and addiction.

The lawyer turned on the tape recorder, handed his client a cigarette, and lit it for him. Black drew hard, squinting as the smoke rushed into his lungs. "Where do you want to start?"the lawyer said, lighting a cigarette of his own. "I guess there’s only one place to start; at Broad and Erie." Johnny Podres, a politician whose record against corruption had been propelling him straight to the mayor’s office, is found murdered in a North Philly crack house. Enter Samuel Jackson, a.k.a. Black, a drug addict who knows better, a man embittered by the fact that he can’t seem to escape from his addiction to crack cocaine or, for that matter, from himself. Though he was once a family man with a wife and son, Black’s only concern these days is getting his next high, that is, until he stumbles across a friend and fellow addict, Leroy, and both become prime suspects in the Podres murder. Black and Leroy hook up with two female pipers: Clarisse, a registered nurse who is slowly losing to crack any semblance of a respectable life, and Pookie, who already has lost it. Soon the hunt is on for all four as they try to stay one step ahead of a police department under tremendous pressure to solve the case—because if a killer isn’t found soon, this could blow up into one of the biggest scandals in Philadelphia history. Solomon Jones weaves a suspenseful story against the backdrop of corruption in the Philadelphia police department and centers it on a group of drug addicts who, in the process of fleeing the law, come to terms with their own addiction, leading to some devastating consequences.

U.S Senator DeMint rallies Americans to look back at the political corruption in this country over the past two years and join together in taking back their government in 2012.

Lusane argues that "the federal drug war being waged in the nation's capital is parallel to that waged against other communities nationwide and worldwide."--SF Bay Guardian

The idea of "the great American novel" continues to thrive almost as vigorously as in its nineteenth-century heyday, defying 150 years of attempts to dismiss it as amateurish or obsolete. In this landmark book, the first in many years to take in the whole sweep of national fiction, Lawrence Buell reanimates this supposedly antiquated idea, demonstrating that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In fresh, in-depth readings of selected contenders from the 1850s onward in conversation with hundreds of other novels, Buell delineates four "scripts" for G.A.N. candidates. One, illustrated by The Scarlet Letter, is the adaptation of the novel's story-line by later writers, often in ways that are contrary to the original author's own design. Other aspirants, including The Great Gatsby and Invisible Man, engage the American Dream of remarkable transformation from humble origins. A third script, seen in Uncle Tom's Cabin and Beloved, is the family saga that grapples with racial and other social divisions. Finally,mega-novels from Moby-Dick to Gravity's Rainbow feature assemblages of characters who dramatize in microcosm the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction.

Great American Railroad Journeys sees the famous brand of social-history-cum-travelogue venture to the New World. Across multiple programmes and using Appleton's General Guide To The United States & Canada as reference, Michael Portillo now undertakes an epic trip by train from New York and Boston on the East Coast down to the Deep South of Atlanta and New Orleans, then on to Chicago, Colorado, New Mexico and ultimately finishing in San Francisco. This lavishly illustrated official tie-in covers each journey Portillo makes across North America and captures the colour, beauty, history and exhilaration experienced when journeying through this incredible continent. Packed with new maps, as well as originals from Appleton's General Guide, this book explores the construction of rail routes across the continent in the 1800s, as a new nation was built by the immigrant masses. Truly this is a colourful and exciting enterprise, with vignettes of revealing social history displaying the rich tapestry of the peoples who established themselves in this vast new world. Great American Railroad Journeys is a must-have purchase for any fan of this unique and award-winning travel series.