In its first modern translation, a novel-cum-memoir of a Frenchman’s erotic awakening in Italy by a preeminent writer of the Romantic period In 1812 Alphonse de Lamartine, a young man of means, traveled through southern Italy, where, during a sojourn in Naples, he fell in love with a young woman who worked in a cigar factory—and whose death after he returned to France would haunt him throughout his writing life. Graziella, Lamartine called this lost girl in his poetry and memoirs—and also in Graziella, a novel that closely follows the story of his own romance. “When I was eighteen,” the narrator begins, as if penning his memoir, “my family entrusted me to the care of a relative whose business affairs called her to Tuscany.” The tale that unfolds, of the young man’s amorous experiences amid the natural grandeur and subtle splendors of the Italian countryside, is one of the finest works of fiction in the French Romantic tradition, a bildungsroman that is also a melancholy portrait of the artist as a young man discovering the muse who would both inspire and elude him. Remarkable for its contemplative prose, its dreamy passions and seductive drawing of the Italian landscape, and its place in the Romantic canon, Graziella is a timeless portrait of love, chronicling the remorse and the misguided ideals of youth that find their expression, if not their amends, in art.

"This volume seeks to map an understanding of the Italian experience onto the broader picture of diasporic stories, though with an anchor in the Australian-Italian experience. It brings together key essays and testimonials that frame a picture of Italy's rich legacy at "home", in Europe more widely, and in the (post)colonial sphere, with a particular emphasis on the Australian experience. The essays collected here focus on the way an Italian Australian story has emerged and evolved in its own unique way. In some respects it might be possible to define Australia, through this community, as an Italian space, very much inscribed and described by the many voices that characterise it. What is clear throughout these pages is that past, present and future circulate through and around each other, just as notions of nation - colonial, postcolonial, emigrant and immigrant - jostle for purchase in what is in fact a contested space always under negotiation." --Back cover.

"The Resistance fighter whose code name was Sparrow relentlessly pursues the collaborator of one of the worst Nazi atrocities in Italy during WWII. But in the treacherous and mysterious land of the Garfagnana, he discovers something he has long hidden within himself."--Page 4 of cover