In his writings on the foundations of logic, Gottlob Frege, the father of modern logic, sketched a conception of truth that focuses on the following questions: What is the sense of the word "true"? Is truth a definable concept or a primitive one? What are the kinds of things of which truth is predicated? What is the role of the concept of truth in judgment, assertion and recognition? What is the logical category of truth? What is the significance of the concept of truth for science in general and for logic in particular? The present volume is dedicated to the interpretation, reconstruction and critical assessment of Frege's conception of truth. It is of interest to all those working on Frege, the history of logic and semantics, or theories of truth. The volume brings together nine original papers whose authors are all widely known to Frege scholars. The main topics are: the role of the concept of truth in Frege's system, the nature of the truth-values, the logical category of truth, the relationship between truth and judgment, and the conception of the truth-bearers.

What is knowledge? What, if anything, can we know? In Knowing and Seeing, Michael Ayers recovers the insight in the traditional distinction between knowledge and belief, according to which 'knowledge' stems from direct and perspicuous cognitive contact with ('seeing') its object, whereas 'belief' relies on 'extraneous' justification. He conducts a careful phenomenological analysis of what it is to perceive one's environment as one's environment, the result of which is not only direct realism, but recognition that in being perceptually aware of anything we are at the same time perceptually aware of how we are aware of it. Perceptual knowing comes with knowing how you know. Some other forms of knowledge are similarly direct and perspicuous, but not all; a distinction is accordingly drawn between primary and secondary knowledge, and Ayers argues that no secondary knowledge is possible without some primary knowledge. Perceptual knowledge supplies the paradigm to which other cases of knowledge are diversely analogous - hence the notorious difficulty of defining knowledge. These conclusions, supported by a detailed examination of the relations between different grammatical constructions in which 'know', 'believe' and 'see' occur, fuel extended critiques of two lines of thought influential in contemporary epistemology: John McDowell's conceptualist and intellectualist account of perceptual knowledge, and Fred Dretske's 'externalist' employment of sceptical argument. Ayers unpicks the arguments for these other views, explains the failure of recent attempts at a comprehensive definition of knowledge, explores the tight relation between knowledge and certainty, and gives an account of how 'defeasibility' should and should not be understood in epistemology.

Husserl's "Logical Investigations" is designed to help students and specialists work their way through Husserl's expansive text by bringing together in a single volume six self-contained, expository yet critical essays, each the work of an international expert on Husserl's thought and each devoted to a separate Logical Investigation.

One of the most important divisions in the human mind is between perception and reasoning. We reason from information that we take ourselves to have already, but perception is a means of taking in new information. Reasoning can be better or worse, but perception is considered beyond reproach. The Rationality of Perception argues that these two aspects of the mind become deeply intertwined when beliefs, fears, desires, or prejudice influence what weperceive. When the influences reach all the way to perceptual appearances, we face a philosophical problem: is it reasonable to strengthen what one believes or fears or suspects on the basis of an experience that wasgenerated by those very same beliefs, fears, or suspicions? Drawing on examples involving racism, emotion, and scientific theories, Siegel argues that perception itself can be rational or irrational, and makes vivid the relationship between perception and culture.