Lyman Allen was born 17 September 1808 in Eaton, New York. His parents were Asaph Allen and Lois K. He married Sally Brown in 1830 in Vermont. They had five children. He married Hepsy S.W. Baldwin, a widow with three children, in 1856 in Iowa City, Iowa. His step-daughter, Julia Baldwin, was born 4 September 1843 in New York. She married Mark Allen in 1868. They had four children.

This is a story about Critchlow's solo two- month journey into Middle America to celebrate his retirement and reflect on life, culture, and the past. It is a real journey -- through the West, the Bible Belt, and Missouri River country -- in Vamper, Critchlow's affectionate name for his 1999 Ford Coachmen camper van. But it is also about Critchlow's life journey, about race, religion, the environment, and a divided America in the age of Donald Trump. Critchlow weaves together people, places, historical anecdotes, political observations, legal tales, and personal history in a way that helps explain the competing narratives in American society today. His journey also tells us something about how a baby boomer might look back and look forward as he moves into his senior years and faces the challenge of retirement.

Keven McCoon was the perfect killer working for the perfect client: the U.S.Government. Then he saw something he shouldn't have seen and the hunter became the hunted. His flight from government pursuers takes surprising twists and turns and he is cast in a powerful, dangerous situation at sea with two people desperately running, but from themselves. The trio sail from Portsmouth, N.H. to Bermuda and then to the Virgins on a trip fraught with dangers from the sea and their nemeses. The flight ends in a thrilling and unpredictable confrontation that can best be described as deafening. The main characters are complete, but imperfect people who rise to present heroic performances as the plot develops. Graybeard is truly what reviewers call "a good read."

The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society. Unlike traditional art history studies, which emphasize the style and history of art objects, The Politics of Reclusion sets out to reconstruct the possible historical context for the interpretive reception and use of Chinese hermit themes within a specific period of Japanese art. In emphasizing the political dimension of aesthetic reclusion, it introduces into the field of Japanese art history a discussion of the politics of aesthetics that characterizes recent work in the field of Japanese literature. By embedding the paintings within the contexts of politics, philosophy, religion, and even gender, this study restores the reflexive relations between the paintings and their culture and, as such, is one of the first extensive intellectual and social histories of Japanese art in a Western language. It is one that will appeal not only to students of art but to those interested in Japanese literature, history, and philosophy.

The Amateur Athletic Union (AAU) has long symbolized the idealism of amateur athletic competition. For basketball especially, the AAU provided an opportunity for athletes to showcase their skills for the benefit of the team and the sport, not the bottom line. In The Golden Age of Amateur Basketball, Adolph H. Grundman recounts the history of the AAU National Tournament during its golden age, 1921 through 1968. ø Grundman analyzes the early tournaments, examining rule changes, key players, and dominant teams. He explores the rivalries between corporations for amateur dominance after 1935, the competition between the AAU and the National Collegiate Athletic Association for representation in Olympic basketball, the question of just how amateur ?amateur? basketball really was, and the reasons for the demise of postcollegiate amateur basketball. The Golden Age of Amateur Basketball provides the first history of AAU basketball and identifies players and teams that made major contributions to basketball history.