Running the family business in the shadow of your father can be a drag, especially when you’re a gravedigger and that shadow is actually your dad’s overly critical ghost. From creator KC Green’s hugely popular webcomic Gunshow, Graveyard Quest follows a blue-collar skeleton and his mole buddy on their journey to Hell and back to retrieve his most prized possession. It’s a story about the things we do for love, and the many mistakes we make along the way.

Running the family business in the shadow of your father can be a drag, especially when you're a gravedigger and that shadow is actually your dad's overly critical ghost. From creator KC Green's hugely popular webcomic GUNSHOW, GRAVEYARD QUEST follows a blue-collar skeleton and his mole buddy on their journey to Hell and back to retrieve his most prized possession. It's a story about the things we do for love, and the many mistakes we make along the way.

Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.

Discover what lurks in the shadowed corners of The Graveyard Apartment, and brace yourself for a literary experience that you won't forget. This psychological horror unravels the unsettling experiences of a young family, innocently enticed by the seemingly idyllic vistas of their new apartment. Situated beside a graveyard, the building quietly harbors an insidious evil, nudging them down a path of inexplicable, panic-inducing occurrences. With each passing day, the walls of this pristine apartment close in bit by bit, trapping them against the bygone souls that echo from beyond the grave. With the complex interplay of nail-biting suspense and thrilling horror, this masterpiece will challenge the bravest of readers. Its haunting narrative, intricately woven around the domestic and psychological aspects of horror, intensifies with each page turn, culminating with a conclusion that will make you think twice before ever going into a basement again.

Cemetery restorer Amelia Gray attempts to decipher the riddles hidden in the intricate engravings and strange headstone inscriptions of Kroll Cemetery to catch an unlikely killer and release the tormented souls trapped within the cemetery's walls.

From the bestselling author of Tulipomania comes Batavia’s Graveyard, the spellbinding true story of mutiny, shipwreck, murder, and survival. It was the autumn of 1628, and the Batavia, the Dutch East India Company’s flagship, was loaded with a king’s ransom in gold, silver, and gems for her maiden voyage to Java. The Batavia was the pride of the Company’s fleet, a tangible symbol of the world’s richest and most powerful commercial monopoly. She set sail with great fanfare, but the Batavia and her gold would never reach Java, for the Company had also sent along a new employee, Jeronimus Corneliszoon, a bankrupt and disgraced man who possessed disarming charisma and dangerously heretical ideas. With the help of a few disgruntled sailors, Jeronimus soon sparked a mutiny that seemed certain to succeed—but for one unplanned event: In the dark morning hours of June 3, the Batavia smashed through a coral reef and ran aground on a small chain of islands near Australia. The commander of the ship and the skipper evaded the mutineers by escaping in a tiny lifeboat and setting a course for Java—some 1,800 miles north—to summon help. Nearly all of the passengers survived the wreck and found themselves trapped on a bleak coral island without water, food, or shelter. Leaderless, unarmed, and unaware of Jeronimus’s treachery, they were at the mercy of the mutineers. Jeronimus took control almost immediately, preaching his own twisted version of heresy he’d learned in Holland’s secret Anabaptist societies. More than 100 people died at his command in the months that followed. Before long, an all-out war erupted between the mutineers and a small group of soldiers led by Wiebbe Hayes, the one man brave enough to challenge Jeronimus’s band of butchers. Unluckily for the mutineers, the Batavia’s commander had raised the alarm in Java, and at the height of the violence the Company’s gunboats sailed over the horizon. Jeronimus and his mutineers would meet an end almost as gruesome as that of the innocents whose blood had run on the small island they called Batavia’s Graveyard. Impeccably researched and beautifully written, Batavia’s Graveyard is the next classic of narrative nonfiction, the book that secures Mike Dash’s place as one of the finest writers of the genre.