Saint Philippine Duchesne and four religious companions of the Society of the Sacred Heart of Jesus came from France to Louisiana in 1818 with the express desire of working among Native Americans to bring them knowledge of the love of Jesus Christ for them. After many years of educating the children of European settlers, Philippine finally realized her dream when she was sent to an encampment of the Potawatomi at Sugar Creek, Kansas. Her time among them was limited to one year; however, her sisters, the Religious of the Sacred Heart, continued to work among the Potawatomi for thirty-eight more years. This book is a carefully researched account of the life and work of these sisters among the Native Americans, the difficulties of adaptation of European women to frontier conditions, and the movement across Kansas with their people as the Potawatomi were pushed westward. Although the life of Saint Philippine has been studied extensively, until Maureen Chicoine undertook the research for this book, no complete account of the mission of the Society of the Sacred Heart to the Potawatomi existed. The book will shed light on a little known apostolic ministry of the Society in America in the nineteenth century.

The author discusses his discoveries in the search for remaining areas of tallgrass prairie in northeast Texas, helping readers understand what a prairie is and how to appreciate its beauty and importance, and also increasing the awareness of past and present prairies, in an effort to support their overall survival.

Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber. The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room. Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire. Dora’s dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain. In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away. Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron’s son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.

The third book in Laura Ingalls Wilder's treasured Little House series—now available as an ebook! This digital version features Garth Williams's classic illustrations, which appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. The adventures continue for Laura Ingalls and her family as they leave their little house in the Big Woods of Wisconsin and set out for the big skies of the Kansas Territory. They travel for many days in their covered wagon until they find the best spot to build their house. Soon they are planting and plowing, hunting wild ducks and turkeys, and gathering grass for their cows. Just when they begin to feel settled, they are caught in the middle of a dangerous conflict. The nine Little House books are inspired by Laura's own childhood and have been cherished by generations of readers as both a unique glimpse into America's frontier history and as heartwarming, unforgettable stories.

An illustrated history of Ggrand Prarie, Texas, paired with histories of the local companies.

"Folk-music is the product of a people, portraying the thoughts, feelings, and tastes that are communal rather than personal. It is always in the process of solution, its creation is never complete, and, owing to the manner in which it is perpetuated, it is liable to all sorts of modifications in the course of time and the process of transmission from one locality to another." -Lydia I. Hinkel, editor of the folk tunes section of the bookOriginally published in 1925, this historical, musical look at the Southern community includes 185 songs in 398 variants, along with 29 tunes for 26 different songs. They range from one end of the spectrum to the other, and include "The Rebel Soldier," "The Yellow Rose of Texas," and "The Sheffield Apprentice."Regardless of style or subject, the songs offer a valuable insight into everyday life in the Old South. In gratitude, a song of thanks should be sung to the author.

The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.