Grave Desire is an analysis of the occasions of necrophilia throughout history, literature and the arts. It is an examination of the breaking of taboos and the metastasizing of fetishes in individuals and cultures using the works of Richard von Krafft-Ebing, Sigmund Freud, Georges Bataille, Jacques Lacan, Michel Foucault, Gilles Deleuze, Slavoj Žižek and others to explore the biographies of known necrophiles such as Carl von Cosel, Karen Greenlee and Ed Gein, and to analyze the cultures of Ancient Egypt, Greece, Troy, Victorian England and the first to eighth century CE civilization of the Moche people in northern Peru who used necrophilia as a means of religious time travel. Throughout the book, examples from the works of Herodotus, the Metaphysical poets, the Marquis de Sade, Cormac McCarthy, Poppie Z Brite, Jörg Buttgereit and more are used for illustration.

From bestselling author of The Mists of Avalon comes Marion Zimmer Bradley's Gravelight. Wycherly Musgrave is the perfect drunken, ne'er-do-well youngest brother. Beneath his lighthearted manner, however, lies . . . something dark. Now, afraid that in a drunken blackout he may have murdered a young woman, Wycherly has fled the family estate to try to dry out and see if he can remember what happened that terrible night. Wycherly finds himself strangely attracted to Sinah, a famous actress whose ability to read minds and project exactly what people want to see has made her a star. Sinah fears her own identity is drowning under the characters she's played. Above these people looms a ruined sanitarium, a vortex of evil psychic powers. And both Wycherly and Sinah are ripe for possession. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this groundbreaking study, Gary M. Ciuba examines how four of the South's most probing writers of twentieth-century fiction -- Katherine Anne Porter, Flannery O'Connor, Cormac McCarthy, and Walker Percy -- expose the roots of violence in southern culture. Ciuba draws on the paradigm of mimetic violence developed by cultural and literary critic René Girard, who maintains that individual human nature is shaped by the desire to imitate a model. Mimetic desire may lead in turn to rivalry, cruelty, and ultimately community-sanctioned -- and sometimes ritually sanctified -- victimization of those deemed outcasts. Ciuba offers an impressively broad intellectual discussion that gives universal cultural meaning to the southern experience of desire, violence, and divinity with which these four authors wrestled and out of which they wrote. In a comprehensive analysis of Porter's semiautobiographical Miranda stories, Ciuba focuses on the prescribed role of women that Miranda imitates and ultimately escapes. O'Connor's The Violent Bear It Away reveals three characters whose scandalous animosity caused by religious rivalry leads to the unbearable stumbling block of violence. McCarthy's protagonist in Child of God, Lester Ballard, appears as the culmination of a long tradition of the sacred violence of southern religion, twisted into his own bloody faith. And Percy's The Thanatos Syndrome brings Ciuba's discussion back to the victim, in Tom Moore's renunciation of a society in which scapegoating threatens to become the foundation of a new social regime. From nostalgia for the old order to visions of a utopian tomorrow, these authors have imagined the interrelationship of desire, antagonism, and religion throughout southern history. Ciuba's insights offer new ways of reading Porter, O'Connor, McCarthy, and Percy as well as their contemporaries who inhabited the same culture of violence -- violence desired, dreaded, denied, and deified.

Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.

This magisterial work is the first comprehensive study of the ethics of killing, where the moral status of the individual killed is uncertain. Drawing on philosophical notions of personal identity and the immorality of killing, McMahan looks carefully at a host of practical issues, including abortion, infanticide, the killing of animals, assisted suicide, and euthanasia.