p>Taking its title from Tomas Tranströmer, Sarah Yi-Mei Tsiang's Grappling Hook sifts the debris of the twenty-first century for insights into identity, desire, and the everyday struggles inherent to motherhood. In doing so, she presents vivid portraits of the joys and perils of marriage, the evolving fight for social justice in a world divided by inequity, and the uncertain future thats's left for children of the digital age. Grappling Hook is an impressive display of Sarah Yi ?Mei Tsiang's considerable poetic gifts, and a love letter to those who are making meaningful change in unprecedented times.

Chin-na is one of the most convenient of the martial arts to study. It requires no great amount of practice space and no special or protective clothing or devices. It does, however, require a reliable practice partner. Training by oneself produces no true progress, only a false sense of confidence. Two or more practice partners is even more advantageous. The greater the variety of the partners, the more experience the student will gain and the quicker and more completely the techniques will be mastered.

"I was awake. / The hour was wrong," de Meijer writes, and her poems track, in visceral and tender detail, the distraction, exhaustion, exhilaration, and fear of child-rearing through crisis. For de Meijer, the experience was also a crisis of language, and the struggle to find new terms for her state. Addressed, in part, to a child she calls "my grievous spectacle, / my dearest unpossessable," The Outer Wards is everywhere marked by a joy in words--their quick-fire turns, sumptuous sounds, and nursery-rhyme seductions.

This book has taken Gene years to write, and it is his legacy to the world of grappling. It is a massive text on the art of finishing holds. Among the 500-plus pages are chapters on grips and handles; catches and grabs; foot and leg controls; arm bars and shoulderlocks; wristlocks and twists; straight leglocks; ankle bends and twists; chokes; and necklocks and cranks. Many of the techniques shown in the volume are old, never-before-seen pro wrestling techniques. There will never be another grappling text containing so many unique and devastating finishing holds -- unless Gene LeBell pens a sequel.

Standup wrestling without a gi! What a concept... This is to say that for various reasons standing grappling seems to be given short shrift in the martial arts world, either due to a lack of space, liability issues, or a general indifference regarding how one ends up on the ground, so long as one can work well from there. So it would seem that aside from those who are looking to be pro fighters, standup training will tend to be cursory, and perhaps with good reason. That said it is a fascinating and nuanced game, and fun to watch as we see it survive, albeit in a theatrical form, in the world of professional wrestling. Armand Cherpillod was a great Swiss wrestler who bested the best catch wrestlers in Europe. Despite is modest size he was a "human battery" whose knowledge of the subtleties of grappling was unparalleled. This manual on Hooks, Trips, Throws, and Takedowns offers a small taste of the great wrestler's vast knowledge.

The Book of Festus is a shattered fable. In these poems, every object has a voice; every thing is awake. Festus wakes inside a myth - on a wharf in Halifax, Nova Scotia - and recalls nothing but a bicycle. As he looks for it, he thinks the city's thoughts. Upon a sidewalk over a buried river, he remembers what the city remembers. He steps past a skateboard park to a Mi'kmaq lagoon. He follows 17th century pioneer cattle to a fast food restaurant. A girl he once knew steps out of the fragments. Festus is an anagogic man, loser-hero of the first city, Ur, Halifax. This collection is a city's lucid dream of itself.

Hailed by many as the world's greatest harmonica player, John Popper has redefined the instrument. As the lead singer and principal songwriter of Blues Traveler, Popper has performed for more than 30 million people over 2,000 live dates and composed such radio staples as "Hook," "But Anyway," and "Run-Around," the longest-charting single in Billboard history. He has appeared with Eric Clapton and B. B. King at the White House, welcomed the Hungarian ambassador to the stage, and inducted Carlos Santana into the Rock and Roll Hall of Fame. In Suck and Blow, Popper shares a candid, spirited account of his life and career. A straight-F student at Princeton High School, Popper's life changed with one serendipitous harmonica solo that captured the attention of his mercurial band teacher (the same teacher whose life was later fictionalized in the Academy Award-winning film Whiplash). After befriending three fellow musicians with whom he would form Blues Traveler, Popper's academic career nearly ended in twelfth grade, until a meeting with the Dean of the New School for Social Research in which Popper pulled out his trusty harp and played his way into college. Popper and Blues Traveler soon became enmeshed in the lower Manhattan music scene of the late 1980s, eventually becoming the house band at the fabled Wetlands Preserve and embarking on a journey that would one day land the group at Madison Square Garden on New Year's Eve. Along the way, Popper and his cohorts commanded the attention of fans and bands alike, through inspired performances and riotous debauchery. Popper's unique perspective on the music business began under the tutelage of Blues Traveler's mentor and manager Bill Graham. After the rock impresario's untimely passing, Popper applied many of Graham's lessons to the formation of the H.O.R.D.E. tour, which John co-owned and hosted over eight years, welcoming such artists as Neil Young, the Allman Brothers Band, Phish, Dave Matthews Band, Ziggy Marley, and his longtime friends the Spin Doctors. Popper also shares a forthright assessment of his longstanding battle with obesity. Plagued by weight problems since childhood, a motorcycle accident a few years into his career confined him to a wheelchair for two years while his weight ballooned to 436 pounds. Angioplasty, gastric bypass surgery, and a tattoo on his chest that reads "I Want to Be Brave" when viewed in the mirror are products of Popper's struggle, compounded by codependency issues and the untimely death of founding Blues Traveler bassist Bobby Sheehan. Popper's personal identity is entwined with his political passions. A staunch supporter of gun rights, he has performed at the National Republican Convention, yet he also maintains liberal positions on social issues. He will reconcile these views and share his encounters with the Bush family, the Clintons, the Gores, and other politicos. The iconoclastic, self-described Johnny Appleharp also dishes on cutting contests, Twitter trolls, party fouls, and prostitutes. In Suck and Blow, John Popper does it all with his signature honesty, humility, and humor. /DIV