Our 2021 winter issue features Rory Gleeson on an Italian doctor who was at the epicentre of the coronavirus outbreak; Lindsey Hilsum, author of the award-winning In Extremis, on cholera in Hutu refugee camps; and photography by Gus Palmer of an Islamic morgue in London, with an introduction by Poppy Sebag-Montefiore. Even more memoir comes from Ian Jack on the toxic slag heaps of Glasgow and the aristocratic lives built on them and Vidyan Ravinthiran on the civil war in Sri Lanka. A photoessay by Fergus Thomas of bareback horse racing in the Colville Reservation is accompanied by an interview with its subject, Duane Hall. Plus, an excerpt from Eva Baltasar's Permafrost, translated from the Catalan by Julia Sanches; a new story by Paul Dalla Rosa, previously shortlisted for the 2019 Sunday Times Audible Short Story Award; an extract from the new novel by Gwendoline Riley, author of First Love; fiction by Diaa Jubaili, translated from the Arabic by Chip Rossetti; and fiction set in Philadelphia from Dan Shurley. Plus, poetry by Jason Allen-Paisant, Jesse Darling and Nate Duke.

A hostile mother-daughter relationship stands at the center of this astonishing, blackly humorous novel by the acclaimed author of First Love. Helen Grant is a mystery to her daughter. An extrovert with few friends who has sought intimacy in the wrong places, a twice-divorced mother of two now living alone surrounded by her memories, Helen (known to her acquaintances as “Hen”) has always haunted Bridget. Now, Bridget is an academic in her forties. She sees Helen once a year, and considers the problem to be contained. As she looks back on their tumultuous relationship—the performances and small deceptions—she tries to reckon with the cruelties inflicted on both sides. But when Helen makes it clear that she wants more, it seems an old struggle will have to be replayed. From the prize-winning author of First Love, My Phantoms is a bold, heart-stopping portrayal of a failed familial bond, which brings humor, subtlety, and new life to the difficult terrain of mothers and daughters.

Since its relaunch in 1979, Granta magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This new edition of The Granta Book of Reportage collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters - John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson - the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square and the aftermath of the American invasion of Iraq.

The Granta Book of India brings together, for the first time, evocative, personal and informative pieces from previous editions of Granta magazine on the experiences of Indian life, culture and politics, including extracts from the highly successful Granta 57: India! The Golden Jubilee. Included are: Suketu Mehta on Mumbai; Chitra Banerji's 'What Bengali Widows Cannot Eat'; Mark Tully on his childhood in Calcutta; Ian Jack's 'Unsteady People' - on unexpected parallels between Bihar and Britain; Urvashi Butalia on tracing her long-lost uncle; a poem by Salman Rushdie about the fatwa; Ramachandra Guha's 'What We Think of America'; Nirad Chaudhuri writing on his 100th birthday; Rory Stewart among the dervishes of Pakistan; Pankaj Mishra on the making of jihadis in Pakistan; as well as fiction by R. K. Narayan, Amit Chaudhuri and Nell Freudenberger.

"Permafrost es el sorprendente debut de Eva Baltasar, una historia contundente, íntima y carnal de una protagonista con pulsiones suicidas que se protege del exterior pero se entrega con intensidad al sexo con otras mujeres, la literatura y el arte. El permafrost es esa capa de la tierra permanentemente congelada y es también la membrana que cubre a la protagonista de esta novela. Escrita en primera persona, nos presenta a una mujer en etapa de formación que se protege del exterior, que percibe la superficialidad en todo cuanto la rodea y huye de un entorno que nada tiene que ver con su manera de entender la vida: una madre obsesionada con la salud, omnipresente y controladora, y una hermana que afronta su existencia convencional con medicación y un positivismo irritante. La protagonista, que siente pulsiones suicidas, no permite que nadie se le acerque demasiado, pero al mismo tiempo se entrega con intensidad al sexo con otras mujeres, la literatura y el arte. El pulso entre el hedonismo, los placeres más carnales y la muerte es constante en esta novela, así como el tono mordaz de una protagonista que nos gana con su inteligencia y su humor negrísimo desde la primera página. Repleto de imágenes poéticas, contundentes y muy físicas, este carácter tan palpable del texto no es gratuito en una novela que nos habla del cuerpo, del sexo, del yo; una obra aguda y directa que reivindica la libertad femenina en el placer y en la soledad. Eva Baltasar inicia con Permafrost un tríptico de protagonistas femeninas que quiere explorar distintas etapas en la vida de las mujeres"--

"A rare, genius-struck achievement . . . filled with great beauties, high themes, enormous sorrows." Kirkus Reviews

WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.