Granta 135 is a snapshot of contemporary Ireland, which shows where one of the world's most distinguished and independent literary traditions is today. Here international stars rub shoulders with a new generation of talent from a country which keeps producing exceptional writers. This issue features Kevin Barry on Cork, 'as intimate and homicidal as a little Marseille'; Lucy Caldwell imagining forbidden first love in Belfast; an exclusive extract of Colm Tibn's next novel, about growing up in the shadow of a famous father; fiction from Emma Donoghue about Victorian Ireland's miraculous fasting girls; and Sara Baume describing the wild allure and threat of the rural landscape. Also featuring fiction from Colin Barrett, John Connell, Mary O'Donoghue, Roddy Doyle, Siobhn Mannion, Belinda McKeon, Sally Rooney, Donal Ryan and William Wall; poetry from Tara Bergin, Leontia Flynn and Stephen Sexton; photography by Doug DuBois, Stephen Dock and Birte Kaufmann; with original portraits of the authors in their environment by acclaimed street photographer Eamonn Doyle.

Now part of the eponymous HBO docuseries written and directed by Raoul Peck, “Exterminate All the Brutes” is a brilliant intellectual history of Europe’s genocidal colonization of Africa—and the terrible myths and lies that it spawned “A book of stunning range and near genius. . . . The catastrophic consequences of European imperialism are made palpable in the personal progress of the author, a late-twentieth-century pilgrim in Africa. Lindqvist’s astonishing connections across time and cultures, combined with a marvelous economy of prose, leave the reader appalled, reflective, and grateful.” —David Levering Lewis “Exterminate All the Brutes,” Sven Lindqvist’s widely acclaimed masterpiece, is a searching examination of Europe’s dark history in Africa and the origins of genocide. Using Joseph Conrad’s Heart of Darkness as his point of departure, the award-winning Swedish author takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, “Exterminate All the Brutes” exposes the roots of genocide in Africa through Lindqvist’s own journey through the Saharan desert. As he shows, fantasies not merely of white superiority but of actual extermination—“cleansing” the earth of the so-called lesser races—deeply informed the colonialism and racist ideology that ultimately culminated in Europe’s own Holocaust. Conquerors’ stories are the ones that inform the self-mythology of the West—whereas the lives and stories of those displaced, enslaved, or killed are too often ignored and forgotten. “Exterminate All the Brutes” forces a crucial reckoning with a past that still echoes in our collective psyche—a reckoning that compels us to acknowledge the exploitation and brutality at the heart of our modern, globalized society. As Adam Hochschild has written, “Lindqvist’s work leaves you changed.”

The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation process in Northern Ireland, the consequences of the Celtic Tiger economic boom in the Republic, the waning influence of Catholicism, the increased authority of diverse voices, and an altered relationship with Europe. The essays acknowledge the distinctiveness of contemporary Irish literature, reflecting a sense that the local can shed light on the global, even as they reach beyond the limited tropes that have long identified Irish literature. The collection suggests routes forward for Irish Studies, and unsettles presumptions about what constitutes an Irish classic.

Isaac Babel, Dmitry Shostakovich, and Anna Akhmatova star in this series of portraits of some of the greatest writers, artists, and composers of the twentieth century. "We stopped and Shklovsky told me / quietly, but clearly, / 'Remember, we are on our way out. / On our way out.' And I recalled / ... the wall of books, / all written by a man / who lived / in times that were hard to bear." Lev Ozerov’s Portraits Without Frames offers fifty shrewd and moving glimpses into the lives of Soviet writers, composers, and artists caught between the demands of art and politics. Some of the subjects—like Anna Akhmatova, Isaac Babel, Andrey Platonov, and Dmitry Shostakovich—are well-known, others less so. All are evoked with great subtlety and vividness, as is the fraught and dangerous time in which they lived. Composed in free verse of deceptively artless simplicity, Ozerov’s portraits are like nothing else in Russian poetry.

#1 INTERNATIONAL AND NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK ONE OF TIME'S MUST-READ BOOKS OF 2021 NAMED A BEST BOOK OF THE YEAR BY BUZZFEED, ESQUIRE, THE GUARDIAN, KIRKUS REVIEWS AND FINANCIAL TIMES “Beautiful World, Where Are You is Rooney’s best novel yet. Funny and smart, full of sex and love and people doing their best to connect.” —The New York Times Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend Eileen is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they worry about sex and friendship and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?