Women in the twenty-first century - from Kent to Accra - still live in a world in which the balance of power remains tipped towards men. This bold, political issue of Granta will explore this dynamic from a wide variety of literary genres and perspectives. Rachel Cusk provides a startlingly honest account of a marriage, its breakdown, and the aftermath; Caroline Moorehead gives voice to women who took part in the French Resistance--and were sent to Nazi death camps for their involvement. Urvashi Butalia writes of a male-to-female transsexual in India, who discovers all the obstacles of her adopted sex; A.S. Byatt lays bare the sexism of 1960s academia. The issue features new fiction from Edwidge Danticat, Julie Otsuka, Louise Erdrich and Jeanette Winterson. In 'Night Thoughts', Helen Simpson hilariously sends up all the sacred pieties of the male provider. 'The Sex Lives of African Girls', introduces an astonishing new voice, Taiye Selasi, who spins a haunting story about the way adult sexuality can be imposed upon the young. With award-winning reportage, memoir and fiction, over the years Granta has illuminated the most complex issues of modern life through the refractory light of literature. 'The F Word' will continue this tradition by addressing a theme many readers know has never lost its urgency.

In 1979, Bill Buford, a young American graduate, revived an old Cambridge university magazine and created a new home for good writing of all kinds - reportage, fiction, memoir, poetry - as well as photography. In the years (and decades) that followed, Granta established itself as the one of the most prestigious literary publications in the English-speaking world. In that time Granta has published 26 Nobel Prize for Literature winners, defined new literary genres and paved the way for generations of young novelists. To celebrate forty years of brilliant publishing, Granta 147 brings together our best fiction and non-fiction from the last four decades, along with a selection of letters from behind the scenes. This will be a collector's issue and is not to be missed. Featuring... Angela Carter Kazuo Ishiguro Todd McEwen Bruce Chatwin James Fenton Primo Levi Amitav Ghosh Raymond Carver Philip Roth John Gregory Dunne Ryszard Kapuscinski Joy Williams Don DeLillo John Berger Gabriel Garca Mrquez Bill Buford Lindsey Hilsum Lorrie Moore Hilary Mantel Ian Jack Edward Said Diana Athill Edmund White Ved Mehta Alexandra Fuller Binyavanga Wainaina Mary Gaitskill Lydia Davis Jeanette Winterson Herta Mller

The highwire artist of the English novel redraws the romantic triangle for the post-Einsteinian universe, where gender is as elastic as matter, and any accurate Grand Unified Theory (GUT) must encompass desire alongside electromagnetism and gravity. One starry night on a boat in the mid-Atlantic, Alice, a brilliant English theoretical physicist, begins an affair with Jove, her remorselessly seductive American counterpart. But Jove is married. When Alice confronts his wife, Stella, she swiftly falls in love with her, with consequences that are by turns horrifying, comic, and arousing. Vaulting from Liverpool to New York, from alchemy to string theory, and from the spirit to the flesh, Gut Symmetries is a thrillingly original novel by England's most flamboyantly gifted young writer. "Winterson is unmatched among contemporary writers in her ability to conjure up new-world wonder...A beautiful, stirring and brilliant story."--Times Literary Supplement "Dazzling for [its] intelligence and inventiveness...[Winterson] is possessed of a masterly command of the language and a truly pliant imagination."--Elle "One of our most brilliant, visionary storytellers."--San Francisco Chronicle

NPR's Favorite Books of 2019 Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three “literary masterpieces” (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions. Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.

A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut. Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly -- a dominatrix -- moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers.