Grand Designs 25 features Kevin McCloud's personal selection of the most significant and memorable builds from 25 years of this acclaimed TV series.

With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of debates about cultural institutions during the Victorian era. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections—all are cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.

A collection of the most iconic, stand-out builds from this perennially popular, long-running TV series, as chosen by Kevin McCloud. Grand Designs has had a major impact on domestic architecture and design. As the programme celebrates its 25th anniversary, Grand Designs at 25 showcases Kevin McCloud's selection of the most impressive and memorable self-build projects from the last 25 years. From houses crafted from shipping containers to eco-builds and luxe constructions, these homes demonstrate the extraordinary power of design and of the imagination to create stunning living spaces. In insightful commentary, accompanied by stunning images, Kevin highlights their key features and why the designs work. Along the way, he provides a fascinating view of how the design of our homes has changed to reflect contemporary lifestyles, and the important legacy of this award-winning programme.

Despite the abundance of books on the Civil War, not one has focused exclusively on what was in fact the determining factor in the outcome of the conflict: differences in Union and Southern strategy. In The Grand Design, Donald Stoker provides for the first time a comprehensive and often surprising account of strategy as it evolved between Fort Sumter and Appomattox. Reminding us that strategy is different from tactics (battlefield deployments) and operations (campaigns conducted in pursuit of a strategy), Stoker examines how Abraham Lincoln and Jefferson Davis identified their political goals and worked with their generals to craft the military means to achieve them--or how they often failed to do so. Stoker shows that Davis, despite a West Point education and experience as Secretary of War, ultimately failed as a strategist by losing control of the political side of the war. Lincoln, in contrast, evolved a clear strategic vision, but he failed for years to make his generals implement it. And while Robert E. Lee was unerring in his ability to determine the Union's strategic heart--its center of gravity--he proved mistaken in his assessment of how to destroy it. Historians have often argued that the North's advantages in population and industry ensured certain victory. In The Grand Design, Stoker reasserts the centrality of the overarching plan on each side, arguing convincingly that it was strategy that determined the result of America's great national conflict.

A complete celebration of Britain’s favourite architectural show.

DIV Packed with tools and tips, this essential guide provides the instructions any aspiring self-builder needs to ensure that their vision becomes reality. Organized into three main sections—Thinking, Dreaming, and Doing—guidelines are provided that cover every aspect of the build, from finding a plot, obtaining planning permission, and commissioning and briefing architects and builders up through implementing the build itself. Structured around fundamental locations—urban, suburban, and rural—a host of successful projects are featured, including, a reinvented violin factory, a converted barn, and a glass pavilion on a beach. Suggestions for using green design and building techniques are also provided. DIVDIV Kevin McCloud is an interior designer and the author of several books, including Bathrooms, Choosing Colors, Grand Designs, Grand Designs Abroad, and Lighting Style.

This is the first academic book to examine the long running hit series Grand Designs, which occupies a significant place in the popular imagination internationally. The authors apply an empirically grounded, critical perspective to the study of television to reveal how people use the program in their everyday lives. The emphasis on everyday uses and meanings combines creatively with understanding the program theoretically, textually and in terms of its production structures. This position challenges framings of the popular lifestyle and factual television genre that has been dominated by a neoliberal or governmentality perspective for many years. Presented by British designer and writer, Kevin McCloud, Grand Designs follows the progress of home owners as they embark on design, renovation and building projects at almost always dizzying scales of endeavour. Understanding the program as both a text to analyse and a site of material impact, the book draws on interviews with production members, home renovators, building practitioners and audiences, as well as references to associated media formats to provide contextual depth to the analysis. The authors argue that, as a cultural object, the program is both shaped by and enacts social discourses of home-making, design value and taste. Navigating public, commercial and promotional logics, Grand Designs sparks new forms of cultural production and consumer markets.