Rivers wind through earth, cutting down and eroding the soil for millions of years, creating a cavity in the ground 277 miles long, 18 miles wide, and more than a mile deep known as the Grand Canyon. Home to an astonishing variety of plants and animals that have lived and evolved within its walls for millennia, the Grand Canyon is much more than just a hole in the ground. Follow a father and daughter as they make their way through the cavernous wonder, discovering life both present and past. Weave in and out of time as perfectly placed die cuts show you that a fossil today was a creature much long ago, perhaps in a completely different environment. Complete with a spectacular double gatefold, an intricate map and extensive back matter.

I Am the Grand Canyon is the story of the Havasupai people. From their origins among the first group of Indians to arrive in North America some 20,000 years ago to their epic struggle to regain traditional lands taken from them in the nineteenth century, the Havasupai have a long and colorful history. The story of this tiny tribe once confined to a toosmall reservation depicts a people with deep cultural ties to the land, both on their former reservation below the rim of the Grand Canyon and on the surrounding plateaus. In the spring of 1971, the federal government proposed incorporating still more Havasupai land into Grand Canyon National Park. At hearings that spring, Havasupai Tribal Chairman Lee Marshall rose to speak. "I heard all you people talking about the Grand Canyon," he said. "Well, you're looking at it. I am the Grand Canyon!" Marshall made it clear that Havasu Canyon and the surrounding plateau were critical to the survival of his people; his speech laid the foundation for the return of thousands of acres of Havasupai land in 1975. I Am the Grand Canyon is the story of a heroic people who refused to back down when facing overwhelming odds. They won, and today the Havasupai way of life quietly continues in the Grand Canyon and on the surrounding plateaus.

Illustrations and simple rhyming text present a child who is hiking with a group into the Grand Canyon, enjoying the wonders of nature--whether a lizard, a picture on the stone, or a glimpse of the moon from the bottom.

This is a once-in-a-lifetime experience--an end-to-end, rim-to-river exploration of the Grand Canyon. The authors have debuted a film-Into the Canyon-in February of 2019 that explores their hike through the canyon Award-winning photographer Pete McBride, along with best-selling authors Kevin Fedarko and Hampton Sides, takes us on a gripping adventure story told through stunning, never-before-seen photography and powerful essays. By hiking the entire 750 miles of Grand Canyon National Park--from the Colorado River to the canyon rim--McBride captures the majesty of as well as calling us to protect America's open-aired cathedral. The 2019 Public Lands Alliance Partnership Book of the Year, this is the most spectacular collection of Grand Canyon imagery ever seen, showing beauty from vantages where no other photographers have ever stood. It will also highlight the conservation challenges this iconic national park faces as visitation numbers grow and development pressures surrounding it mount. This photography will inspire and remind us why we protect such a cherished public space. Proceeds benefit the Grand Canyon Conservancy, and the accompanying documentary Into the Canyon has been shown at the Flagstaff Mountain Film Festival and the Aspen Film Festival in February of 2019 as well as debuting on the National Geographic Channel--all in time for the national park's centennial.

Photographs made in Grand Canyon a century ago may provide us today with a sense of history; photographs made a century later from the same vantage points give us a more precise picture of change in this seemingly timeless place. Between 1889 and 1890, Robert Brewster Stanton made photographs every 1-2 miles through the river corridor for the purpose of planning a water-level railroad route and produced the largest collection of photographs of the Colorado River at one point in time. Robert Webb, a USGS hydrologist conducting research on debris flows in the Canyon, obtained the photographs and from 1989 to 1995 replicated all 445 of the views captured by Stanton, matching as closely as possible the original camera positions and lighting conditions. Grand Canyon, a Century of Change assembles the most dramatic of these paired photographs to demonstrate both the persistence of nature and the presence of humanity. Unexpected longevity of some plant species, effects of animal grazing, and expansion of cacti are all captured by the replicate photographs. More telling is evidence of the impact of Glen Canyon Dam: increased riparian vegetation, new marshes, aggraded debris fans, and eroded sand bars. In the accompanying text, Webb provides a thorough analysis of what each pair of photographs shows and places the project in its historical context. Complementing his narrative are six sidebar articles by authorities on Canyon natural history that further attest to a century of change. The level of detail obtained from the photographs represents one of the most extensive long-term monitoring efforts ever conducted in a national park; it is the most detailed documentation effort ever performed using repeat photography. Much more than simply a picture book, Grand Canyon, a Century of Change is an environmental history of the river corridor, a fascinating book that clearly shows the impact of human influence on Grand Canyon and warns us that its future is very much in our hands.