A gender-inclusive anthology of poetry and prose that addresses the physical and psychological act of being “grabbed,” or in any way assaulted. The #MeToo movement, the infamous Access Hollywood tape, and the depraved and hypocritical actions of celebrities, politicians, CEOs, and other powerful people have caused people all over the nation to speak out in outrage, to express allegiance for the victims of these assaults, and to raise their voices against a culture that has allowed this behavior to continue for too long. The editors asked writers and poets to add to the conversation about what being “grabbed” means to them in their own experience or in whatever way the word “grabbed” inspired them. What they received are often searing, heart-rending works, ranging in topic from sexual misconduct to racial injustice, from an unwanted caress to rape, expressed in powerful, beautifully crafted prose and poetry. The writers represented here, some very well known, such as Rita Dove, Jericho Brown, Eileen Miles, Ana Menendez and Sapphire, as well as some newer voices not yet fully discovered, have mined their collective experiences to reveal their most vulnerable moments, and in some cases, to narrate moments that they have had previously been unwilling or unable to speak of. What results is a collection of emotional, hard-hitting pieces that speak to the aftermath of violation—whether mental, emotional, or physical.

Fear Street - Where your worst nightmare lives... It's great to have a best friend. But what happens when the friend becomes a stalker? Becka feels like she's being stalked by Honey, who is telling everyone at Shadyside High that she's Becka's best friend. Soon, Honey moves in on Becka's life… in every way imaginable. And it seems that Honey won't stop until Becka is gone… for good!

In many countries, public sector institutions impose heavy burdens on economic life. As a consequence of predatory policies, entrepreneurship lingers and economies stagnate. The authors of this collection describe many of these pathologies of a "grabbing hand" government, and examine their consequences for growth.

This is the second of a two volume set. The first volume is Grabbing Tea: Queer Conversations on Identity and Libraries (Volume One). Number 15 in the Litwin Books Series on Gender and Sexuality in Information Studies, Emily Drabinski, series editor. Grabbing Tea: Queer Conversations on Archives and Practice (Volume Two) centers queerness in archives and archival theory and practice. Scholars and practitioners share their conversations on the Archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. These conversations integrate interpersonal experiences of professionalism, dive into our collections, and engage with the implications of race and sexuality in archival practice. Authors invite readers to join their conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the archive.

Explores how dictators maintain their grip on power by seizing control of oil, metals, and minerals production.

This is a rich ethnographic account of the relationship between identity politics, neoliberal development policy, and rights to resource management in native communities on the north coast of Honduras. It also answers the question: can “freedom” be achieved under the structures of neoliberalism?

Grabbing Power explores the history of agribusiness and land conflicts in Northern Honduras focusing on the Aguán Valley, where peasant movements battle large palm oil producers for the right to land. In the wake of a military coup that overthrew Honduran president Manuel Zelaya in June 2009, rural communities in the Aguán have been brutally repressed, with over 60 people killed in just over two years. United States military aid--spent in the name of the War on Drugs--fuels the Honduran government's ability to repress its people. A strong and inspiring movement for land, food and democracy has grown over the last two years, and it shows no sign of backing down.