From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and - commissioned by Maori and Pakeha - captured in paint the images of key Maori figures. For Maori then and now, the faces of tupuna are full of mana and life. Now this definitive book on Lindauer's portraits of the ancestors collects that work for New Zealanders. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as Maori and Pakeha commissioned him to paint portraits; his artistic techniques and deep relationship with photography; Henry Partridge's gallery of Lindauer works on Queen Street in Auckland where Maori visited to see their ancestors; and the afterlife of the paintings in marae and memory. Published in association with Auckland Art Gallery Toi o Tamaki.

Based on a true story Auckland, June 1886. Ngati Wai chief Paratene Te Manu spends long sessions, over three long days, having his portrait painted by the Bohemian painter Gottfried Lindauer. Hearing of Lindauer's planned trip to England reminds him of his own journey there, twenty years earlier, with a party of northern rangatira. As he sits for Lindauer, Paratene retreats deeper and deeper into the past, from the triumphs in London and their meetings with royalty to the disintegration of the visit into poverty, mistrust, and humiliation. 'Morris' research is both thorough and thoughtful . . . With its light, often wry tone, much of the story-telling is amusing, albeit desperately poignant.' —Margie Thomson, Canvas 'An extraordinary literary achievement and probably the best of recent New Zealand historical novels.' —Nicholas Reid, New Zealand Books '[An] adroitly told historical novel . . . Paratene – old, forgetful but wise and generous in his appraisals – is our lens, and he's a triumph of characterisation, his voice genial and flawlessly authentic.' —John McCrystal, New Zealand Listener Also available as an eBook

Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.

Completely revised and updated. Chapters have been rewritten. Also added in a substantial new chapter on contemporary Maori and Pacific Island painting, as well as an acknowledgement of the coming wave of Asian artists.

Drawing on a wide range of sources in both English and Maori, this study explores the entrepreneurial activity of New Zealand's indigenous Maori in the early colonial period. Focusing on the two industries—coastal shipping and flourmilling—where Maori were spectacularly successful in the 1840s and 1850s, this title examines how such a society was able to develop capital-intensive investments and harness tribal ownership quickly and effectively to render commercial advantages. A discussion of the sudden decline in the &“golden age&” of Maori enterprise—from changing market conditions, to land alienation—is also included.