Final battles on the Eastern Front during the months of January through May 1945 of World War II.

This fascinating collection of primary source accounts focuses on the combat actions of the Wehrmacht in the final battles of the war. The material is drawn from a variety of wartime sources and encompasses fascinating writings concerning the tactical, operational and strategic aspects of the battle for Berlin. Compiled and edited by Emmy Award winning author and historian Bob Carruthers, this absorbing assembly of primary source intelligence reports encompasses rare material originally drawn from both German and Russian original sources to provide the reader with a unique insight into the last battles in the east. This is the unvarnished reality of what it meant to fight in this titanic struggle to the death.Featured in the book are reports concerning little known and neglected tactical aspects of the war including weapons, street fighting techniques and improvised anti-tank measures. Original illustrations from US wartime intelligence manuals are also featured. This compelling compilation is essential for readers with an interest in discovering more about the last days of the Wehrmacht from a range of unusual and diverse primary sources.

For the title of this book, author Stefan Engel employs an allegory from German mythology: in the götterdämmerung, the "twilight of the gods", the end of the world engulfs the worn-out gods of an antiquated age, and out of the world conflagration grows an admirable new world of peace an full, joyous live. The parallel with the decline of the present ruling stratum of world society and the preparation of a new future well worth living is intended! The book wrests this vision from the realm of mythology and places it on a scientific foundation. It conveys a perspective to all those for whom the götterdämmerung of ruling world finance capital does not signify the end of history but the starting point for an new epoch of the social develooment of humanity - without hunger, exploitation and war.

A comprehensive guide to the Third Reich, this book chronicles the events leading up to the rise of Adolf Hitler and the Nazi Party to the downfall of both.

During his 800 days of war, Nikolai Litvin fought at the front lines in the ferocious tank battles at Kursk, was wounded three times, and witnessed unspeakable brutalities against prisoners and civilians. But he survived to pen this brief but powerful memoir of his wartime experiences. Barely out of his teens, Litvin served for three years in the Red Army on the killing fields of the Eastern Front. His memoir presents an unadorned, candid narrative of the common soldier's lot in Stalin's army. Unlike the memoirs of Russian officers--usually preoccupied with large military operations and political concerns--this narrative offers a true ground-level view of World War II's deadliest theater. It puts a begrimed human face on the enormous toll of casualties and provides a rare perspective on battles that were instrumental in the defeat of the German army. Litvin's varied roles, ranging from antitank gunner at Kursk to heavy machine gunner in a penal battalion to staff driver for the 352nd Rifle Division, offer unique perspectives on the Red Army in World War II as it fought from the Ukraine deep into the German heartland. Litvin documents such significant battles as Operation Kutuzov, Operation Bagration, and the German counterattack on the Narev, while also providing unique personal observations on fording the Dnepr River under enemy fire, the rape of German women by Russian troops, and literally seeing his life pass before his eyes as he watched a Stuka's bomb fall directly on his position. And, because part of his duties involved chauffeuring Red Army generals, he also presents revealing glimpses into their personalities and behaviors. Originally written in 1962, with events still fresh in his mind, Litvin's memoir lay unpublished and unseen until translator Stuart Britton and a Russian colleague approached him about publishing it in English. Britton interviewed Litvin to flesh out the details of his original recollection and annotated the resulting work to provide historical context for the campaigns and battles in which he participated. Remarkably free of Soviet-era propaganda, this gem of a memoir provides a view of the war never seen by western readers, including photographs from Litvin's personal collection. An invaluable historical document, as well as a remarkable testament of survival, Litvin's memoir offers unique and penetrating insights into the Soviet wartime experience unavailable in any other source.

This charming autobiography captures the life story of a fascinating woman: a Missouri girl-turned-world-class soprano who remained true to her roots through it all. Born and reared in St. Louis and proud of her origins, Helen Traubel grew up in a modest German-American family. She spent her teens and twenties singing with church choirs and quartets in the city, studying under first- rate teachers. She did not leave Missouri for New York until she was in her early thirties. Although she replaced the great Kirsten Flagstad at the Metropolitan Opera, she refused to confine herself to singing before elite crowds and prided herself on reaching a larger, more general audience via nightclubs, radio, television, and theater. St. Louis Woman is filled with candid and amusing stories as full of zest as Traubel herself. One such story details her audition for the Ford Hour, during which she suffered a terrible case of poison ivy, and the booth technicians interrupted her performance with laughter. Furious, she announced she would sing no more and started to leave. Without explanation, the technicians asked her to continue. Traubel later discovered that the higher-ups had called down to the technicians demanding they stop playing the Flagstad record and let that kid sing. The qualities that made Traubel such a notable individual are captured in this entertaining book. Her strong, independent character shines through. Outspoken and at times brutally honest, Traubel recounts her experiences at the Met, as both a popular performer and a teacher. She tells of exasperating moments when she was coaching famous pupil Margaret Truman. This is not a fact-laden examination of the singer’s Wagnerian repertory or a study of high opera; rather this engaging book introduces the reader to a nationally renowned performer who, despite her unmatched talent, retained her hometown identity and lived her life as a St. Louis woman.