This book is a study in the myth of the origins and early history of the Goths as told in the Getica written by Jordanes in AD 551. Jordanes claimed they emigrated from the island of Scandza (Sweden) in 1490 BC, thus giving them a history of more than two thousand years. He found this narrative in Cassiodorus' Gothic history, which is now lost. The present study demonstrates that Cassiodorus and Jordanes did not base their accounts on a living Gothic tradition of the past, as the Getica would have us believe. On the contrary, they got their information only from the Graeco-Roman literature. The Greeks and Romans, however, did not know of the Goths until the middle of the third century AD. Consequently, Cassiodorus and Jordanes created a Gothic history partly through an erudite exploitation of the names of foreign peoples, and partly by using the narratives about other peoples' history as if they belonged to the Goths. The history of the Migrations therefore must be reconsidered.

Provides an overview on the formation of the Gothic tribes, their migrations, and the later history of the Ostrogothic and Visigothic settlements.

The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day. This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions. The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This book examines the collision of Goths and Romans in the fourth and fifth centuries. In these years Gothic tribes played a major role in the destruction of the western half of the Roman Empire, moving the length of Europe from what is now the USSR to establish successor states to the Roman Empire in southern France and Spain (the Visigoths) and in Italy (the Ostrogoths). Our understanding of the Goths in this "Migration Period" has been based upon the Gothic historian Jordanes, whose mid-sixth-century Getica suggests that the Visigoths and Ostrogoths entered the Empire already established as coherent groups and simply conquered new territories. Using more contemporary sources, Peter Heather is able to show that, on the contrary, Visigoths and Ostrogoths were new and unprecedentedly large social groupings, and that many Gothic societies failed even to survive the upheavals of the Migration Period. Dr Heather's scholarly study explores the complicated interactions with Roman power which both prompted the creation of the Visigoths and Ostrogoths around newly emergent dynasties and helped bring about the fall of the Roman Empire.

Writing the Barbarian Past examines the presentation of the non-Roman, pre-Christian past in Latin and vernacular historical narratives composed between c.550 and c.1000: the Gothic histories of Jordanes and Isidore of Seville, the Fredegar chronicle, the Liber Historiae Francorum, Paul the Deacon’s Historia Langobardorum, Waltharius, and Beowulf; it also examines the evidence for an oral vernacular tradition of historical narrative in this period. In this book, Shami Ghosh analyses the relative significance granted to the Roman and non-Roman inheritances in narratives of the distant past, and what the use of this past reveals about the historical consciousness of early medieval elites, and demonstrates that for them, cultural identity was conceived of in less binary terms than in most modern scholarship.