The bestselling author of Misquoting Jesus, one of the most renowned and controversial Bible scholars in the world today examines oral tradition and its role in shaping the stories about Jesus we encounter in the New Testament—and ultimately in our understanding of Christianity. Throughout much of human history, our most important stories were passed down orally—including the stories about Jesus before they became written down in the Gospels. In this fascinating and deeply researched work, leading Bible scholar Bart D. Ehrman investigates the role oral history has played in the New Testament—how the telling of these stories not only spread Jesus’ message but helped shape it. A master explainer of Christian history, texts, and traditions, Ehrman draws on a range of disciplines, including psychology and anthropology, to examine the role of memory in the creation of the Gospels. Explaining how oral tradition evolves based on the latest scientific research, he demonstrates how the act of telling and retelling impacts the story, the storyteller, and the listener—crucial insights that challenge our typical historical understanding of the silent period between when Jesus lived and died and when his stories began to be written down. As he did in his previous books on religious scholarship, debates on New Testament authorship, and the existence of Jesus of Nazareth, Ehrman combines his deep knowledge and meticulous scholarship in a compelling and eye-opening narrative that will change the way we read and think about these sacred texts.

What does it look like to read the texts we now call the gospels like first- and second-century readers? There is no evidence of anyone regarding the gospel as a book published by an author until the end of the second century. So, put differently, what does it mean to read the gospels "before the book"? For centuries, the ways people discuss the gospels have been shaped by later ideas that have more to do with the printing press and modern notions of the author than ancient writing and reading practices. In Gospels before the Book, Matthew D. C. Larsen challenges several subtle yet problematic assumptions about authors, books, and publication at work in early Christian studies. He then explores a host of under-appreciated elements of ancient textual culture such as unfinished texts, accidental publication, post-publication revision, and the existence of multiple authorized versions of the same work. Turning to the gospels, he argues that the earliest readers and users of the text we now call the Gospel according to Mark treated it not as a book published by an author, but as an unfinished, open, and fluid collection of notes (hypomnmata). In such a scenario, the Gospel according to Matthew would not be regarded as a separate book published by a different author, but as a continuation of the same unfinished gospel tradition. Similarly it is not the case that, of the five different endings in the textual tradition we now call the Gospel according to Mark, one is "right" and the others are "wrong." Rather each represents its own effort to fill a perceived deficiency in the gospel. Larsen offers a new methodological framework for future scholarship on early Christian gospels.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

New liturgical book for the United States that went into use on November 29, 1998. We will offer the following New Editions -- all utilizing the format that has made our liturgical books the most pastoral ... practicable ... and functional possible.

The life of Jesus is at the heart of the Christian faith, and is one of the great works of Western literature. This book presents the story in a new form, more accessible than ever before. It weaves the four separate gospel accounts into one continuous story. And it presents the story in a new translation: traditional, but clear. Here the reader can find the episodes laid out in an understandable narrative sequence. The nativity at Bethlehem is followed by the visit of the wise men. And for each scene the rich details are collected from all the gospel accounts, giving a complete picture of complex events like the Sermon on the Mount or Jesus' climactic encounter with Pilate. The new language is clear as well. It is traditional scripture inconspicuously updated for modern readers, supplemented with contemporary language for difficult concepts, and using the grand and familiar language of the King James where appropriate. Low-key explanations fill in the details. Short footnotes explain the key concepts, and longer endnotes provide additional depth. This book opens the gospels to everyone--Christians who want to better understand their faith, and general readers who want to rediscover a great work of literature.

In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.