Who Healeth All Thy Diseases is a history of divine healing and 19th-century health reform in the Church of God, one of the earliest and most influential pre-Pentecostal radical holiness movements. The Church of God taught that Wesleyan entire sanctification was creating a visible unity of saints that restored the New Testament church of the apostles. As the movement grew and experimented with the implications of visible sainthood, physical healing--miraculous divine healing and the physical perfectionism of health reform--became integral to the life and theology of the Church of God, shaping everything from proof of membership and evidence of ministerial authority to childrearing practices and acceptable clothing styles. Physical healing manifested and embodied the movement's claim that God was healing the universal church (the Body of Christ) by cleansing individuals from the corruption of inbred sin. By 1902, the prevailing opinion in the Church said that divine healing was an essential aspect of the gospel, use of medicine was sinful, and every minister had to exhibit the gifts of healing. In the early 20th century, the Church's theology and practices of healing became increasingly problematic. Tragic failures of divine healing, epidemics, medical advances, court trials, mandatory inoculations of schoolchildren, and general opprobrium combined to prevent a simplistic equation of the Church of God and the church of the apostles. By 1925, the Church had reversed its radical, anti-medicine doctrines. Church members continued to affirm that Jesus answered prayers for healing, but they no longer claimed to know exactly how he would answer prayers. With that loss of certainty, healing lost its power to serve as evidence of holiness and its central place in the history of the Church of God.

Twelve beautiful solos based on favorite hymns and sacred melodies. Selections are appropriate throughout the church year and are moderate in difficulty. Includes the Old Rugged Cross; Stand Up for Jesus; How Great Thou Art; In the Garden and more. Keyboard accompaniment included for each selection.

Reprint of the original, first published in 1857.

Although American Protestants often claim that they are opposed to the use of devotional images in their religious life, they in fact draw on a vast body of religious icons to disseminate confessional views, to teach, and to celebrate birthdays, baptisms, confirmations, and sacred holidays. This fascinating book focuses on the production, marketing, and reception of one such set of religious illustrations, the art of Warner Sallman (1892-1968), whose 1940 Head of Christ has been reproduced an estimated five hundred million times. Five scholars--three art historians, a church historian, and a historian of material culture--investigate various aspects of Sallman's career and art, in the process revealing much about the role of imagery in the everyday devotional life of American Protestants since the 1940s. The chapters examine Sallman's work in terms of the visual sources, media, and forms of use that shaped its making; its mass production, marketing, and distribution by publishers and vendors; and the commercial nature of Sallman's training and his work as an illustrator. Other chapters explore the reception of his religious imagery among those who admired it and saw in it a vision of the world as they would have it exist; the religious and theological context of conservative American Protestantism in which the imagery flourished; and its critical reception among liberal Protestant intelligentsia who despised Sallman's work and what it represented in popular Christianity. By placing Sallman's art in theological, ecclesiastical, and aesthetic perspective, the book sheds light on the evolving shape of twentieth-century American evangelicalism and its influence on modern American culture.