'Frame . . . is a master . . . All [stories] overflow with dazzling observation and unforgettable metaphor . . . A powerful collection.' —Kirkus 'This is a gem of a book, or rather a string of gems, each uniquely coloured, cut and crafted.' —Landfall This brand new collection of 28 short stories by Janet Frame spans the length of her career and contains some of the best she wrote. None of these stories has been published in a collection before, and more than half are published for the first time in Gorse is Not People. The title story caused Frame a setback in 1954, when Charles Brasch rejected it for publication in Landfall and, along with others for one reason or other, deliberately remained unpublished during her lifetime. Previously published pieces have appeared in Harper's Bazaar, the NZ Listener, the New Zealand School Journal, Landfall and The New Yorker over the years, and one otherwise unpublished piece, 'The Gravy Boat', was read aloud by Frame for a radio broadcast in 1953. In these stories readers will recognise familiar themes, scenes, characters and locations from Frame's writing and life, and each offers a fresh fictional transformation that will captivate and absorb.

This brand new collection of 28 short stories spans the length of Frame's career and contains some of the best she wrote. None of these stories have been published in a collection before, and more than half are published for the first time in Between My Father and the King. The piece 'Gorse is Not People' caused Frame a setback in 1954, when Charles Brasch rejected it for publication in Landfall and, along with others for one reason or other, deliberately remained unpublished during her lifetime. Previously published pieces have appeared in Harper's Bazaar, the NZ Listener, the New Zealand School Journal, Landfall and The New Yorker over the years, and one otherwise unpublished piece, 'The Gravy Boat', was read aloud by Frame for a radio broadcast in 1953. In these stories readers will recognize familiar themes, scenes, characters and locations from Frame's writing and life, and each offers a fresh fictional transformation that will captivate and absorb.

You think you know the story of Sleeping Beauty, but the real story is far more spellbinding… Gorse is the thirteenth and youngest in a family of fairies tied to the evil king’s land and made to do his bidding. When accident-prone Gorse falls ill just as the family is bid to bless the new princess, a fairytale starts to unfold. Sick as she is, Gorse races to the castle with the last piece of magic the family has left—a piece of the Thread of Life. But that is when accident, mayhem, and magic combine to drive Gorse’s story into the unthinkable, threatening the baby and the kingdom.

This book explores the emergence of 'Australasia' as a way of thinking about the culture and geography of this region. Although it is frequently understood to apply only to Australia and New Zealand, the concept has a longer and more complicated history. 'Australasia' emerged in the mid-18th century in both French and British writing as European empires extended their reach into Asia and the Pacific, and initially held strong links to the Asian continent. The book shows that interpretations and understandings of 'Australasia' shifted away from Asia in light of British imperial interests in the 19th century, and the concept was adapted by varying political agendas and cultural visions in order to reach into the Pacific or towards Antarctica. The Making and Remaking of Australasia offers a number of rich case studies which highlight how the idea itself was adapted and moulded by people and texts both in the southern hemisphere and the imperial metropole where a range of competing actors articulated divergent visions of this part of the British Empire. An important contribution to the cultural history of the British Empire, Australia, New Zealand and Pacific Studies, this collection shows how 'Australasia' has had multiple, often contrasting, meanings.

'But the mijo seed had other ideas for herself. She wanted so much immediately to live a life of ease and power.' The Mijo Tree is a never-before published novella from New Zealand literary great, Janet Frame. It was written between 1956 and 1957 during Frame's time in Ibiza and has remained in the Hocken Library archive since 1970. The Mijo Tree is a darkly beautiful fable from a writer of vast imaginative power.

A captivating, magical and haunting debut novel of breathtaking imagination, from the winner of the 2014 Costa Short Story Award LONGLISTED FOR THE 2019 INTERNATIONAL DYLAN THOMAS PRIZE 'That rare thing: genuinely unique' OBSERVER 'Will win you over ... Magical' THE TIMES 'Absolutely stunning. I loved it' MADELINE MILLER, AUTHOR OF CIRCE On the remote island of Neverness, the villagers' lives are entwined with nature: its enchantments, seductions and dangers. There is May, the young fiddler who seeks her musical spirit; Madden Lightfoot, who flies with red kites; and Verlyn Webbe, born with a wing for an arm. Over the course of a generation, their desires, gossip and heartbreak interweave to create a staggeringly original world, crackling with echoes of ancient folklore.