Darjeeling occupies a special place in the South Asian imaginary with its Himalayan vistas, lush tea gardens, and brisk mountain air. Thousands of tourists, domestic and international, annually flock to the hills to taste their world-renowned tea and soak up the colonial nostalgia. Darjeeling Reconsidered rethinks Darjeeling’s status in the postcolonial imagination. Mobilizing diverse disciplinary approaches from the social sciences and humanities, this definitive collection of essays sheds fresh light on the region’s past and offers critical insight into the issues facing its people today. While the historical analyses provide alternative readings of the systems of governance, labour, and migration that shaped Darjeeling, the ethnographic chapters present accounts of dynamics that define life in twenty-first century Darjeeling, including the Gorkhaland Movement, Fair Trade tea, indigenous and subnationalist struggle, gendered inequality, ecological transformation, and resource scarcity. The volume figures Darjeeling as a vital site for South Asian and postcolonial studies and calls for a timely reexamination of the legend and hard realities of this oft-romanticized region.

A comprehensive socio-political study of the Gorkha people and their demand for the separate state of Gorkhaland

Impacts and Insights of Gorkha Earthquake in Nepal offers a practical perspective on disaster risk management using lessons learned and considerations from the 2015 Gorkha earthquake in Nepal, which was the worst disaster to hit Nepal since the 1934 Nepal–Bihar earthquake. Using a holistic approach to examine seismicity, risk perception and intervention, the book serves as a detailed case study to improve disaster resilience globally, including social, technical, governmental and institutional risk perception, as well as scientific understanding of earthquake disasters. Covering the details of the Gorkha earthquake, including damage mapping and recovery tactics, the book offers valuable insights into ways forward for seismologists, earthquake researchers and engineers and policy-makers. - Includes the latest status of seismic risk, risk perception, to-date interventions and historical scenarios in Nepal - Examines details of Gorkha earthquake, including geo-seismicity, damage statistics, casualties, effect on cultural heritage, gender-risk mechanics, case studies of social institutions, urban-risk mechanics, rural-risk mechanics, resilience dimensions, social institutions in risk management, stories of resilience and failures and a critical review of efficacy of interventions in risk mitigation - Offers future insights and ways forward in terms of risk reduction studies, socio-cultural dimensions of risk management, scientific intervention and policy making, implementation of existing frameworks and endorsement of resilient practices for Nepal - Includes damage mapping in all affected areas

Tibet, Nepal, Mongolia... This vast area has experienced significant changes following political and socio-cultural upheavals: the Chinese occupation of Tibet since the 1950s; the opening of Nepal to the world in 1951 and the influx of large numbers of Tibetan refugees into its territory; the end of the communist era and the transition to a market economy in Mongolia, and more generally the confrontation with modernity and globalisation. Revisiting Rituals in a Changing Tibetan World examines the changes rituals have undergone and offers the reader the result of recent research based on both fieldwork and textual studies by researchers who have worked in these countries. Contributors include Hildegard Diemberger, Fabienne Jagou, Thierry Dodin, Fernanda Pirie, Nicola Schneider, Mireille Helffer, Alexander von Rospatt, Marie-Dominique Even, Robert Barnett, Katia Buffetrille

This book explores how religion manifests itself in television. It focuses on how religious traditions, practices, and discourses have been incorporated into non-religious television programmes and how they bring both the community and the media into the fold of religion. The volume traces the cultural and institutional history of television in the state of Sikkim, India, to investigate how it became part of the cultural life of the communities. The author analyses three televised shows that captured the community's imagination and became ceremonial and religious engagement. Through these case studies, he highlights how rituals and myths function in mass media, how traditional institutions and religious practices redefine themselves through their association with the visual mass medium, and how identities based on religion, cultural tradition, and politics are reinforced, transformed, and amplified through television. The book further analyses the engagement of televised religion with audiences, its reach, relevance, and contents and its relationship with urbanity, tradition, and identity. This volume will be of interest to students and researchers of media and communication studies, cultural studies, religious studies, sociology, cultural anthropology, and history.

The museum of the East India Company formed, for a large part of the nineteenth century, one of the sights of London. In recent years, little has been remembered of it beyond its mere existence, while an assumed negative role has been widely attributed to it on the basis of its position at the heart of one of Britain’s arch-colonialist enterprises. Extensively illustrated, The India Museum Revisited provides a full examination of the museum’s founding manifesto and evolving ambitions. It surveys the contents of its multi-faceted collections – with respect to materials, their manufacture and original functions on the Indian sub-continent – as well as the collectors who gathered them and the manner in which they were mobilized to various ends within the museum. From this integrated treatment of documentary and material sources, a more accurate, rounded and nuanced picture emerges of an institution that contributed in major ways, over a period of 80 years, to the representation of India for a European audience, not only in Britain but through the museum’s involvement in the international exposition movement to audiences on the continent and beyond.