The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 288 pages.

A compendium of artwork, essays, and more that celebrates the twenty-year anniverary of the virtual British band Gorillaz.

Reveals the complete story behind the virtual British band, from childhood to Gorillaz inception, through albums, tours, videos, influences, breakdowns, and break-ups.

Damon Albarn is the frontman of Blur and the face of Britpop. While his peers have gradually fallen by the wayside, Albarn has reinvented himself as the mastermind behind Gorillaz. With his eclectic solo projects--such as the much-revered The Good, the Bad & the Queen--and his work with legends like Bobby Womack, he has proven that he is one of British music's most innovative and important personalities. With the 2015 release of Blur's first album for more than a decade, Damon Albarn took his place once more as an iconic jewel in the crown of the British music scene. This updated book covers his multiple musical personas in depth, with first-hand interviews by those close to Albarn in his formative years, as well as social and musical context that covers the Britpop era and Albarn's reemergence as the Godfather to the iPod generation.

'Gorillaz' have always been as much about the visuals as they are about the music. Featuring art from and designed by Jamie Hewlett, this rock autobiography is the full story of Murdoc, 2D, Noodle and Russel Hobbs.

The Superstate is everywhere, and it's authority is absolute. Yoga Town is a city divided. While they wait to leave the earth, the 1% can bend reality to their will, they live in a consequence free world where anything goes. Meanwhile, the masses are pacified by a drugged out, government mandated digital dreamscape while they wait to perish on this dying planet. But there is still hope, for angels roam the earth. With their help, maybe some rebellious spirits can start to make a change. Experience 15 surreal and disturbing tales of rebellious fembots, celebrity turkey shoots, violent astral projection and an all-new take on the TV dinner.

A warm and surprisingly real-life biography, featuring never-before-seen photos, of one of rock’s greatest talents: Prince. Neal Karlen was the only journalist Prince granted in-depth press interviews to for over a dozen years, from before Purple Rain to when the artist changed his name to an unpronounceable glyph. Karlen interviewed Prince for three Rolling Stone cover stories, wrote “3 Chains o’ Gold,” Prince’s “rock video opera,” as well as the star’s last testament, which may be buried with Prince’s will underneath Prince’s vast and private compound, Paisley Park. According to Prince's former fiancée Susannah Melvoin, Karlen was “the only reporter who made Prince sound like what he really sounded like.” Karlen quit writing about Prince a quarter-century before the mega-star died, but he never quit Prince, and the two remained friends for the last thirty-one years of the superstar’s life. Well before they met as writer and subject, Prince and Karlen knew each other as two of the gang of kids who biked around Minneapolis’s mostly-segregated Northside. (They played basketball at the Dairy Queen next door to Karlen’s grandparents, two blocks from the budding musician.) He asserts that Prince can’t be understood without first understanding ‘70s Minneapolis, and that even Prince’s best friends knew only 15 percent of him: that was all he was willing and able to give, no matter how much he cared for them. Going back to Prince Rogers Nelson's roots, especially his contradictory, often tortured, and sometimes violent relationship with his father, This Thing Called Life profoundly changes what we know about Prince, and explains him as no biography has: a superstar who calls in the middle of the night to talk, who loved The Wire and could quote from every episode of The Office, who frequented libraries and jammed spontaneously for local crowds (and fed everyone pancakes afterward), who was lonely but craved being alone. Readers will drive around Minneapolis with Prince in a convertible, talk about movies and music and life, and watch as he tries not to curse, instead dishing a healthy dose of “mamma jammas.”