“Finally, the tawdry but glamorous details behind the legend of one of my first childhood heroes. Gorgeous George is such a good read I felt like bleaching my hair afterwards.” — John Waters “Capouya’s biography vividly re-creates Gorgeous George’s antics and the world in which he had more shock value than a numerically named wideout could hope for today.” — Sports Illustrated “Compelling. . . . The tension between George’s excess and his era’s reserve is one of many in his story, and those are what make Capouya’s cultural anthropology so interesting.” — Newsweek “Terrifically, tantalizingly weird. . . . GORGEOUS GEORGE does leave the words of one long-ago sports reporter ringing in your ears: ‘Oh, my, what a strut. If only this man had been born in the barnyard. What a rooster he would have made.’” — New York Times “...[Capouya] delivers a solid, entertaining book about a long-forgotten character and a peculiar slice of American history.” — Entertainment Weekly “Capouya vividly portrays the ins and outs of wrestling and [Wagner’s] own struggle to maintain the ‘Gorgeousness’ of a public life in his private life as well.” — Publishers Weekly “In GORGEOUS GEORGE, Capouya combines extensive research and interviews with a colorful writing style and presents Gorgeous George as a cultural pioneer...Capouya’s words are as fast-paced as the action in the ring and connect with the reader as solidly as a dropkick to George’s kisser.” — Tampa Tribune “Compulsively entertaining...” — Penthouse “You see the title of John Capouya’s biography of Gorgeous George - which claims the flamboyant wrestler “created pop culture” - and you are struck by its audacity. A wrestler responsible for something that important? Impossible. But as you go through the pages, you can’t help but agree.” — New York Post “Gorgeous George invented a style of showmanship that was imitated by entertainers and athletes. With this biography, John Capouya has done an excellent job in introducing the most inventive of sport’s anti-heroes to a new generation of readers.” — Ishmael Reed (novelist, poet, and cultural critic) NO DOUBT OF IT: GEE GEE’S THE BIGGEST THING IN TV — Washington Post, 1949 “I don’t know if I was made for television, or television was made for me.” — Gorgeous George “Liberace stole my entire act, including the candelabra!” — Gorgeous George “One can explain the American condition as an eternal, televised battle between the Babyface and the Heel. That said, there’s never been a heel like Gorgeous George. John Capouya has done a fine job here, excavating a forgotten life and explaining why it mattered.” — Mark Kriegel, author of Pistol: The Life of Pete Maravich; National Columnist for FOXSports.com “Like the man himself, this inside look at a legendary performer challenges the reader to think beyond the wrestling ring. We give it four suplexes out of five.” — Pro Wrestling Illustrated “Former Newsweek editor John Capouya reveals the gory underworld of pre-WWE wrestling and shows how the Gorgeous One inspired James Brown, who loved George’s robes, and Muhammad Ali, whose “I am the prettiest” echoed the wrestler’s own vainglorious boasts.” — Los Angeles Magazine “As a show-biz bio and, for those who subscribe to a loose definition of sport, a sports bio, too, this is great stuff, entertaining and well referenced.” — Booklist

Gorgeous George was a beautiful rooster who liked to show off his long colorful feathers. Then one day he realized that he should be more humble.

For nearly a century in Florida and throughout the South, election to the United States Senate virtually guaranteed a lifetime position, especially if you were a Democrat. Certainly no Republican candidate stood a chance in the general election, and it was nearly unthinkable to imagine a serious challenger emerging in the primary. Claude "Red" Pepper first ran for the U.S. Senate in 1934. Though unsuccessful, despite allegations of voter fraud, he won a special election two years later after both senators from Florida died in office. Reelected to full terms in 1938 and 1944 as a vigorous supporter of the New Deal, he had every reason to suspect the seat was his indefinitely--or at least until he decided it was time to seek higher office. Pepper saw himself as the national heir to Roosevelt's foreign policy; he encouraged cooperation with the Soviet Union, our World War II ally, and actively worked to defeat Truman's presidential nomination in 1948. After nearly fourteen years in office, Pepper had earned the enmity of the president, alienated most of his colleagues in the senate, and aligned himself with the ultra-left-wing politics of Henry Wallace. Still, in the entire history of the state, no sitting Florida Senator had ever been voted out of office. However, the political world was changing, and it was the right-leaning "Gorgeous" George Smathers, not Pepper, who recognized and took advantage of this fact. Smathers fought a vicious, bare-knuckled campaign, employing ferocious and divisive attacks against Pepper. He helped make "liberal" anathema to aspiring southern politics, and was the first of a new breed of conservative politicians--though not yet Republican--to rise to power. Eventually the era would be named for a junior senator from Wisconsin, but it was Smathers who first successfully employed the strategies of McCarthyism to unseat an incumbent. He was so successful, in fact, that before the general election Smathers had to reassure President Truman and other potential supporters that his loyalties did, in fact, lie with the Democractic Party. His resounding victory inspired others--including Richard Nixon and Barry Goldwater--to adopt similar tactics in their senatorial campaigns. It also helped set the stage for the complete reversal of the political power structure that had ruled the South since the end of Reconstruction. Red Pepper and Gorgeous George is a fascinating look at the campaign that changed everything in Florida--and the South. It is also a shocking, sobering reminder that, despite introducing the phrase "hanging chad" to the national lexicon, the 2000 presidential election was merely the second most important national election to take place in the state. James C. Clark is a journalist, magazine editor, and a member of the history faculty at the University of Central Florida. He is the author of four books, including Faded Glory: Presidents Out of Power.

George Galloway has made a career of confrontation and has a life story that is stranger than fiction. 'Gorgeous George' is the definitive biography of one of the most bizarre and extraordinary political figures of recent times.

“Gorgeous George” Sisler, a left-handed first baseman, began his major-league baseball career in 1915 with the St. Louis Browns. During his sixteen years in the majors, he played with such baseball luminaries as Ty Cobb (who once called Sisler “the nearest thing to a perfect ballplayer”), Babe Ruth, and Rogers Hornsby. He was considered by these stars of the sport to be their equal, and Branch Rickey, one of baseball’s foremost innovators and talent scouts, once said that in 1922 Sisler was “the greatest player that ever lived.” During his illustrious career he was a .340 hitter, twice achieving the rare feat of hitting more than .400. His 257 hits in 1920 is still the record for the “modern” era. Considered by many to be one of the game’s most skillful first basemen, he was the first at his position to be inducted into the National Baseball Hall of Fame. Yet unlike many of his peers who became household names, Sisler has faded from baseball’s collective consciousness. Now in The Sizzler, this “legendary player without a legend” gets the treatment he deserves. Rick Huhn presents the story of one of baseball’s least appreciated players and studies why his status became so diminished. Huhn argues that the answer lies somewhere amid the tenor of Sisler’s times, his own character and demeanor, the kinds of individuals who are chosen as our sports heroes, and the complex definition of fame itself. In a society obsessed with exposing the underbellies of its heroes, Sisler’s lack of a dark side may explain why less has been written about him than others. Although Sisler was a shy, serious sort who often shunned publicity, his story is filled with its own share of controversy and drama, from a lengthy struggle among major-league moguls for his contractual rights—a battle that helped change the structure of organized baseball forever—to a job-threatening eye disorder he developed during the peak of his career and popularity. By including excerpts from Sisler’s unpublished memoir, as well as references to the national and international events that took place during his heyday, Huhn reveals the full picture of this family man who overcame great obstacles, stood on high principles, and left his mark on a game he affected in a positive way for fifty-eight years.