Poem on Krishna, Hindu deity; Sanskrit text with English translation.

A campū is a literary composition mixing poetry and prose, displaying literary ornaments and various verse forms, often using words with double meaning. Śrila Jīva Gosvāmī has written Gopāla-campū describing the pastimes of Kṛṣṇa from his appearance until his return to Vraja. Though Kavikarṇapura has written Ananda-vṛndāvana Campū on the same topic, the unique feature of this campū is that the whole story has been arranged to lead to Kṛṣṇa's final union in marriage to the gopīs.The Gopala-campū narrates the pastimes as found in the Srimad Bhagavatham with the addition of rasa. Jīva Gosvāmī writes that it is a "work composed of the bliss of Radha and Krishna" and "those who desire to see Vraja and to attain Goloka will achieve that destination by this work."Śrila Jīva Gosvāmī's use of words and grammar is often difficult. The text is taken from the Puri Das' edition (1947). The numbering system is taken from that edition, though other editions have different numbering systems. The numbers in square brackets at the beginning of a line indicate a prose portion. The numbers between vertical lines at the end of a paragraph indicate a verse. Where whole verses are quoted in Sanskrit in the original work these have been reproduced with translations. Where a few words of a verse are quoted, only the translation is given, without quoting the Sanskrit, though the verse reference is given. Since the whole story is narrated by two young boys alternately, who often relate conversations between individuals which contain conversations within conversations, conventional use of quotation marks is awkward. For long sections where one person speaks or when one person speaks over several numbered sections colons are used to indicate the commencement of the speech. For short conversations within one numbered section conventional quotation marks are used.To enable the readers to also relish the poetic beauty and rhythm in the Sanskrit songs in Gopala- campū, an audio CD (not available with ebook) has been made keeping in mind the ragas (musical notes) mentioned at times in the book itself and according to the mood of the song.

Breaking new ground in scholarship, Niraja Jayal writes the first history of citizenship in the largest democracy in the world—India. Unlike the mature democracies of the west, India began as a true republic of equals with a complex architecture of citizenship rights that was sensitive to the many hierarchies of Indian society. In this provocative biography of the defining aspiration of modern India, Jayal shows how the progressive civic ideals embodied in the constitution have been challenged by exclusions based on social and economic inequality, and sometimes also, paradoxically, undermined by its own policies of inclusion. Citizenship and Its Discontents explores a century of contestations over citizenship from the colonial period to the present, analyzing evolving conceptions of citizenship as legal status, as rights, and as identity. The early optimism that a new India could be fashioned out of an unequal and diverse society led to a formally inclusive legal membership, an impulse to social and economic rights, and group-differentiated citizenship. Today, these policies to create a civic community of equals are losing support in a climate of social intolerance and weak solidarity. Once seen by Western political scientists as an anomaly, India today is a site where every major theoretical debate about citizenship is being enacted in practice, and one that no global discussion of the subject can afford to ignore.

Caste and Outcast (1923) is an autobiography by Dhan Gopal Mukerji. Published the year after Mukerji moved from San Francisco to New York City, Caste and Outcast is a moving autobiographical narrative from the first Indian writer to gain a popular audience in the United States. Although he is more widely recognized for such children’s novels as Gay Neck: The Story of a Pigeon (1927), which won the 1928 Newbery Medal, and Kari the Elephant (1922), Mukerji was also a gifted poet and memoirist whose experiences in India, Japan, and the United States are essential to his unique perspective on twentieth century life. “As I look into the past and try to recover my earliest impression, I remember that the most vivid experience of my childhood was the terrific power of faces. From the day consciousness dawned upon me, I saw faces, faces everywhere, and I always noticed the eyes. It was as if the whole Hindu race lived in its eyes.” Raised in a prominent Brahmin family, Dhan Gopal Mukerji enjoyed immense privileges in his native India and came to trust in the effectiveness and fairness of the country’s caste system. As a young man, however, no longer enthralled with the ascetic lifestyle explored in his youth, Mukerji devoted himself to nationalist politics and eventually left India for Japan. Unsatisfied with life as an engineering student, he emigrated once more to the United States, where he moved in anarchist and bohemian circles while embarking on a career as a popular poet and children’s author. Although he never returned to his native country, Mukerji left an inspiring legacy through his literary achievement and unwavering commitment to Indian independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Dhan Gopal Mukerji’s Caste and Outcast is a classic of Indian American literature reimagined for modern readers.

Western constructs giving precedence to ideas over experience have, for long, dominated theorization in Indian social sciences. Problematizing their tenuous relationship, this book presents a passionate plea to create new frameworks for describing contemporary Indian social experiences. Using a dialogic form and placing the reality of untouchability and Dalit life at the centre of analyses, Gopal Guru and Sundar Sarukkai examine the ontological and epistemological nature of experience, thereby exhibiting the politics of experience. By illustrating ways of using alternative frameworks for theorizing, The Cracked Mirror argues for a more careful understanding of the ethics of representation.

The objective of this practical oil and gas piping handbook is to facilitate project management teams of oil and gas piping related construction projects to understand the key requirements of the discipline and to equip them with the necessary knowledge and protocol. It provides a comprehensive coverage on all the practical aspects of piping related material sourcing, fabrication essentials, welding related items, NDT activities, erection of pipes, pre-commissioning, commissioning, post-commissioning, project management and importance of ISO Management systems in oil and gas piping projects. This handbook assists contractors in ensuring the right understanding and application of protocols in the project. One of the key assets of this handbook is that the technical information and the format provided are practically from real time oil and gas piping projects; hence, the application of this information is expected to enhance the credibility of the contractors in the eyes of the clients and to some extent, simplify the existing operations. Another important highlight is that it holistically covers the stages from the raw material to project completion to handover and beyond. This will help the oil and gas piping contractors to train their project management staff to follow the best practices in the oil and gas industry. Furthermore, this piping handbook provides an important indication of the important project-related factors (hard factors) and organizational-related factors (soft factors) to achieve the desired project performance dimensions, such as timely completion, cost control, acceptable quality, safe execution and financial performance. Lastly, the role of ISO management systems, such as ISO 9001, ISO 14001 and OHSAS 18001 in construction projects is widely known across the industry; however, oil and gas specific ISO quality management systems, such as ISO 29001, and project specific management systems, such as ISO 21500, are not widely known in the industry, which are explained in detail in this handbook for the benefit of the oil and gas construction organizations. Features: Covering the stages from the raw material to project completion, to handover and beyond Providing practical guidelines to oil and gas piping contractors for training purposes and best practices in the oil and gas industry Emphasizing project-related factors (hard factors) and organizational-related factors (soft factors) with a view to achieve the desired project performance Highlighting the roles of ISO management systems in oil and gas projects.