From Walt Disney's Classic Storybook, this retelling of Goofy, Movie Star features Goofy, an easygoing fellow from Hollywood, who loves watching movies. So when Goofy's hilarious laugh accidentally catches the attention of Mr. Big Shot at a film studio, Goofy quickly becomes a famous movie star! But is life in the fast lane really what Goofy wants?

Goofy wants to spend time with his son, Max. So he decides to take him on a fishing trip. Adventure in the great outdoors...All that fresh air...What could be better? A fishing trip with his dad isn't exactly Max's idea of fun. He knows that it could be a disaster--especially since everything Goofy does turns out wrong. And with all that nature, something bad is sure to happen. What could be worse? But neither of them knows just how strange the trip will be. What with the side trips to Lester's Possum Park and a run-in with Big Foot, anything can happen. And it probably will when Goofy and Max hit the road.

The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays—on everything from Mario Kart to issues of representation—that “will fill you with joy and give you hope for the future of geek culture” (Ernest Cline, #1 New York Times bestselling author). When William Evans and Omar Holmon founded Black Nerd Problems, they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy. In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with “alternately hilarious, thought-provoking, and passionate” (School Library Journal) insight and intelligence. A much needed and fresh pop culture critique from the perspective of people of color, “this hugely entertaining, eminently thoughtful collection is a master class in how powerful—and fun—cultural criticism can be” (Publishers Weekly, starred review).

Mild-mannered Drake Mallard leads a pretty average life: relaxing at home, helping his daughter Gosalyn with her homework, and palling around with his best buddy Launchpad McQuack. But this suburban pastoral doesn’t make for very exciting comics. Good thing Drake is secretly the daring duck of mystery, the crime-fighting powerhouse, Darkwing Duck! (Whew, for a moment there we were worried this would be the most boring solicitation copy in history!) Darkwing Duck, alongside Launchpad, Gosalyn and their many allies, fought the forces of darkness in his beloved city of St. Canard for years, keeping the citizens safe from an endless supply of increasingly ridiculous supervillains. Then, just as suddenly as he appeared, Darkwing slipped into the shadows, not to be seen or heard from again. But what sinister scenario could send St. Canard’s stalwart sentinel into seclusion? Just how safe was the city he left behind? And what’s going on with the creepy robotic “protectors” the mysterious Quackwerks Corporation has rolled out to take Darkwing’s place? When the utopian shine begins to wear off, St. Canard will need her superhero once again… but is the Duck Knight ready to take on his most malevolent menace yet? Collecting the entire out-of-print and sold-out comic book series for the first time in one volume, this 400-page blockbuster is big enough to knock out a burglar! (Although we ask you leave crimefighting to the professionals!) Completely remastered and revised, this titanic tome also features an all new epilogue, making it without a doubt, “The Definitively Dangerous Edition!” He is the terror that flaps in the night! He is the creased binding in this over 400-page keepsake edition of crime – he is Darkwing Duck!

Figures of 8 actresses, each with costumes from 4 of their films, include Liza Minelli wearing nightclub apparel from Cabaret, Diane Keaton in vest, tie, and baggy pants from Annie Hall, Faye Dunaway in a white satin evening gown from Network, plus Sally Field, Meryl Streep, Susan Sarandon, Ann-Margret, and Goldie Hawn.

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.