Julie Reece Deaver's classic novel of loss and gradual acceptance has touched the hearts of ordinary readers for more than twenty years. Morgan and Jimmy have been best friends forever, and know each other inside out. They do everything together—they even argue well. But after a terrible accident, Morgan suddenly has to face life alone. Without Jimmy around, though, it’s like the best part of her has died. How could he do this to her? This moving novel has been used in grief counseling teen in counseling centers around the country, and it remains as fresh and poignant as when it was first published.

THE STORY: The place is a shabby apartment in New York's East Village, which Jerry an aspiring young actor, shares with Ginny, a secretary. They are joined by Jerry's high-school friends: Steve, a prankish would-be poet and television writer; and B

In 1880s Colorado, clumsy Grace Sullivan tumbles right on top of brawny gold miner Jon Erickson, breaking his leg and stealing his heart. Original.

New Jersey 1978. 15 year old Gracie Bowen is still reeling from the death in a car accident of her brother Johnny, a star player on the high school soccer team. When Gracie defies nearly everyone's wishes by vowing to replace Johnny under the aegis of cantankerous Coach Colasanti, it irritates many including her parents and her best friend, Jena. Gracie persists and wins the hearts of her most strident detractors, surmounting one obstacle after another and racing toward certain victory.

A collection of poems by American poet Lloyd Schwartz which reflects themes of "time and mortality."

"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations that are by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling of both performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--