In this authoritative and gripping book--the first full account of the 1976 International Monetary Fund crisis--Kathleen Burk and Alec Cairncross peel back the surface of the most searing economic crisis of postwar Britain to reveal its historical roots and contemporary context. During the spring of 1976, the plummeting value of the British pound against the U.S. dollar triggered a traumatic economic and political crisis. International confidence in the pound collapsed; an article in the Wall Street Journal, headlined "Good-bye, Great Britain," urged investors to get out of sterling. Refused aid by the London and New York markets, the Labour Government under Prime Minister James Callaghan was forced to turn for help to the IMF--a highly unusual move for a developed Western economy. Fearing that the economic crisis would drive Britain into a left-wing siege economy which would endanger NATO and the EEC, the United States and Germany used the IMF loan as a means to force Britain to make major domestic policy changes; when the IMF mission arrived in London in November 1976, it was announced that the price for the loan included deep cuts in domestic spending. Burk and Cairncross uncover the maneuvers of the Labour Government to evade IMF conditions. They also examine underlying economic factors, the political agenda, the rise of monetarist ideas, and the Keynesian response. Juxtaposing narrative with analysis, they provide surprising answers to critical questions and reveal how the breakdown of the post-war consensus on the macroeconomic management paved the way for the triumph of Thatcherism.

Have you ever wondered what life's really like beyond our borders? Whether for work, love, adventure, or even to escape, millions of Brits packed their bags, grabbed their passports, and found out for themselves. Goodbye Britain is a collection of their real-life stories in their own words. Discover fascinating insights from British people living across the world; from chasing their dreams, following their hearts, dealing with their disappointments, and even the few who returned to where it all began.

What can homespun cloth, stuffed birds, quince jelly, and ginseng reveal about the formation of early American national identity? In this wide-ranging and bold new interpretation of American history and its Founding Fathers, Kariann Akemi Yokota shows that political independence from Britain fueled anxieties among the Americans about their cultural inferiority and continuing dependence on the mother country. Caught between their desire to emulate the mother country and an awareness that they lived an ocean away on the periphery of the known world, they went to great lengths to convince themselves and others of their refinement. Taking a transnational approach to American history, Yokota examines a wealth of evidence from geography, the decorative arts, intellectual history, science, and technology to underscore that the process of "unbecoming British" was not an easy one. Indeed, the new nation struggled to define itself economically, politically, and culturally in what could be called America's postcolonial period. Out of this confusion of hope and exploitation, insecurity and vision, a uniquely American identity emerged.

When Hollywood Loved Britain examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of the most popular and memorable films of the 1930s and 1940s, yet they have received little individual attention from film historians and even less attention as a body of films. While the book is centered on wartime "British" films, it also investigates wider issues: the influence of censorship and propaganda agencies during Hollywood’s studio era, studio finances, the isolationist campaign in the United States between 1939 and 1941, and American perceptions of Britain at war.

An introductory textbook charting a global history of modern Britain from 1750 to the present.

The acclaimed author of On Royalty explores the mysteries of English identity in this “witty, argumentative book bursting with good things” (The Daily Telegraph). A Sunday Times Top Ten Bestseller Being English used to be easy. As the dominant culture in a country that dominated an empire that dominated the world, they had little need to examine themselves and ask who they were. But something has happened over the past century. A new self-confidence seems to have taken hold in Wales and Scotland, while others try to forge a new relationship with Europe. What exactly sets the English apart from their British compatriots? Is there such a thing as an English race? Renowned journalist and bestselling author Jeremy Paxman traces the invention of Englishness to its current crisis and concludes that, for all their characteristic gloom about themselves, the English may have developed a form of nationalism for the twenty-first century. “Paxman’s irrepressibly witty bit of Anglo scholarship offers stirring insights.” —Vanity Fair