Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English and African women. This practice, along with making slavery hereditary through the mother, contributed to the cultural shift whereby women of African descent assumed from lower-class English women both the burden of fieldwork and the stigma of moral corruption. Brown's analysis extends through Bacon's Rebellion in 1676, an important juncture in consolidating the colony's white male public culture, and into the eighteenth century. She demonstrates that, despite elite planters' dominance, wives, children, free people of color, and enslaved men and women continued to influence the meaning of race and class in colonial Virginia.

This enthralling work of scholarship strips away abstractions to reveal the hidden--and not always stoic--face of the "goodwives" of colonial America. In these pages we encounter the awesome burdens--and the considerable power--of a New England housewife's domestic life and witness her occasional forays into the world of men. We see her borrowing from her neighbors, loving her husband, raising--and, all too often, mourning--her children, and even attaining fame as a heroine of frontier conflicts or notoriety as a murderess. Painstakingly researched, lively with scandal and homely detail, Good Wives is history at its best.

A highly original colouring book for older children and adults alike. Highly detailed line artwork allows the magical fantasy of Alice in Wonderland to be brought to be life in an entirely unique way. Handy-sized square format - take it anywhere!

While their husbands are out making money, making deals, and making . . . whatever, the trophy wives of New Falls are slipping not so quietly into middle age. Lauren, Bridget, Dana, and Caroline pretend to each other that their only problems are parties, plastic surgery, and which Mikimotos to buy. But behind the closed doors of their gracious homes there are broken hearts and broken promises . . . the stuff that gossip is made of. And the newest dish du jour is a whopper! The husband of one of their oldest friends, who dumped his wife for a newer model—a sexier, flashier, sleeker hairdresser—is found dead, his ex-wife, Kitty, standing over him . . . holding the smoking gun. Kitty claims she's innocent, and there are plenty of women around town who might want the rat dead. Now it's up to the women to discover where in their high-priced suburb a killer is hiding, and which good little wife has done something very, very wicked.

Complete and unabridged edition.

Good Wives is the second story about the March family. Three years on from Little Women, the March girls and their friend Laurie are young adults with their futures ahead of them. Although they all face painful trials along the way - from Meg's sad lesson in housekeeping to Laurie's disappointment in love and a tragedy which touches them all - each of the girls finally finds happiness, if not always in the way they expect. The book includes a behind-the-scenes journey, including an author profile, a guide to who's who, activities and more.. Also in Puffin Classics: Little Women, Little Men and Jo's Boys.