After nearly two decades as Elvis Presley’s right-hand-man, Joe Esposito gives readers an honest and vivid memoir filled with stories and answers as he recalls the wondrous and exciting life of the King. Joe Esposito first met Elvis Presley in the Army in Germany where they would play football together and travel to Paris for the Holidays. When their days as soldiers were done and Presley moved on to a life on the road and a star in Hollywood, he brought Esposito with him as his road manager. For the first time, Elvis’s closest confidant, best friend, and the unofficial don of the infamous Memphis Mafia is pulling the curtain back on his time with Elvis in order to set the record straight and tell readers what life with the King was really like. This fond and honest memoir shares the good and the bad of life on the road with Elvis, from the concerts to the parties and all the women in between. Complete with sixteen pages of rare photographs, Good Rockin’ Tonight answers the unanswered questions about the life of Elvis Presley, from his long years in Hollywood to his tragic descent into drugs and all of the relationships he made along the way.

Nine stories deal with an Elvis impresonator, an aspiring actor, a hang glider, a drifter with big plans, a struggling family, the sixties, and divorce

In Memphis, Tennessee, in the 1950s, there was hard-edged blues playing on Beale Street, and hillbilly boogie on the outskirts of town. But at Sam Phillips’ Sun Records studio on Union Avenue, there was something different going on – a whole lotta shakin’, rockin’, and rollin’. This is where rock ’n’ roll was born. Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. The label that brought the world, “Blue Suede Shoes,” “Whole Lotta Shakin’ Goin’ On,” “Breathless,” “I Walk the Line,” “Mystery Train,” “Good Rockin’ Tonight.” The Birth of Rock ’n’ Roll: 70 Years of Sun Records is the official history of this legendary label, and looks at its story in a unique way: through the lens of 70 of its most iconic recordings. From the early days with primal blues artists like Howlin’ Wolf and B.B. King to long nights in the studio with Elvis and Jerry Lee Lewis, you will see how the label was shaped and how it redefined American music. Accompanying the recordings is the label’s origin story and a look at the mission of the label today, as well as “Sun Spot” sidebars—a fascinating dive into subjects such as how the iconic logo was created, the legendary Million Dollar Quartet sessions, and how the song “Harper Valley, PTA” funded the purchase of the label. Written by two of the most acclaimed music writers of our time, Peter Guralnick and Colin Escott, and featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.

Memphis, Tennessee. The early 1950s. The Mississippi rolls by, and there's a train in the night. Down on Beale Street there's hard-edged blues, on the outskirts of town they're pickin' hillbilly boogie. At Sam Phillips' Sun Records studio on Union Avenue, there's something different going on. "Shake it, baby, shake it!" "Go, cat, go!" "We're gonna rock..." This is where rock 'n' roll was born-the record company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. The label that brought the world, "Blue Suede Shoes," "Whole Lotta Shakin' Goin' On," "Breathless," "I Walk the Line," "Mystery Train," "Baby, Let's Play House,' "Good Rockin' Tonight." Good Rockin Tonight is the history, in words and over 240 photographs, of Sam Phillips' legendary storefront studio, from the early days with primal blues artists like Howlin' Wolf and B.B. King to the long nights in the studio with Elvis and Jerry Lee. As colorful and energetic as the music itself, it's a one-of-a-kind book for anyone who wants to know where it all started.

Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.

For two decades after rock music emerged in the 1940s, the American Federation of Musicians (AFM), the oldest and largest labor union representing professional musicians in the United States and Canada, refused to recognize rock 'n' roll as legitimate music or its performers as skilled musicians. The AFM never actively organized rock 'n' roll musicians, although recruiting them would have been in the union's economic interest. In Tell Tchaikovsky the News, Michael James Roberts argues that the reasons that the union failed to act in its own interest lay in its culture, in the opinions of its leadership and elite rank-and-file members. Explaining the bias of union members—most of whom were classical or jazz music performers—against rock music and musicians, Roberts addresses issues of race and class, questions of what qualified someone as a skilled or professional musician, and the threat that records, central to rock 'n' roll, posed to AFM members, who had long privileged live performances. Roberts contends that by rejecting rock 'n' rollers for two decades, the once formidable American Federation of Musicians lost their clout within the music industry.

Many books have been written about Elvis Presley and about the mysteries and paradoxes that shrouded his life and his death, but none have answered the why of Elvis' behavior and the meaning of his life as perceptively as Caught in a Trap. Rick Stanley was Elvis' younger brother.