This series contains the king of demons falling for one feisty heroine, lots of love, no cheating, and creatures from your wildest imagination. River Thirteen years have passed since the war started, bombs fell, and the central states became a thing of the past. When the war ended, the government erected a wall to divide the surviving states from the destroyed ones. I never expected to leave my town, but unlike those who volunteered to go, I wasn't given a choice. With a dim knowledge of my strange abilities, the soldiers came for me. They took me beyond the wall, where I learned the truth is far more terrifying than I imagined. Alone, with humans and demons eager to see what I can do, I find myself irresistibly drawn to the one man I should avoid most—a man who isn't even really a man. Kobal I've spent my entire life with one mission… reclaim my throne from Lucifer and fix what the angels tore apart when they cast him from Heaven. Not even when the humans tore open the gates, and unleashed Hell on Earth, did I waver from my goal. I've never been closer to my throne, yet I find myself risking everything because I can't stay away from her… the woman who might be the key to destroying Lucifer. *** Due to sexual content, violence, and language, this book is recommended for readers 18+ years of age.***

"Absorbing, compelling, and beautifully written. Its ending brought me close to tears." —Beth O'Leary, bestselling author of The Flatshare For fans of The Big Sick and Nick Hornby—a magnetic debut novel about a young man who has hidden a romance from his parents, unable to choose between familial obligation and the future he truly wants. If love really is a choice, how do you decide where your loyalties lie? It’s the countdown to the New Year, and Nur is steeling himself to tell his parents that he’s seeing someone. A young British Pakistani man, Nur has spent years omitting details about his personal life to maintain his image as the golden child. And it’s come at a cost. Once, Nur was a restless college student, struggling to fit in. At a party, he meets Yasmina, a beautiful and self-possessed aspiring journalist. They start a conversation—first awkward, then absorbing. And as their relationship develops, so too does Nur’s self-destruction. He falls deeper into traps of his own making, attempting to please both Yasmina and his family until he must finally reveal the truth: Yasmina is Black, and he loves her. Deftly transporting readers between that first night and the years beyond, Kasim Ali's Good Intentions exposes with unblinking authenticity the complexities of immigrant families and racial prejudice. It is a crackling, wryly clever depiction of standing on the precipice of adulthood, piecing together who it is you’re meant to be.

We often struggle to answer the question: What is the right thing to do here? Good Intentions suggests that it is possible to do good in economic matters if we begin with the right assumptions (and begins to ask the right questions): —Is greed ever good? —How can we give poor kids a million bucks? —How did Ben and Jerry get so rich? —Is capitalism ruining the environment? —Do immigrants take American jobs? Our actions can produce outcomes that reflect what we value.

A provocative analysis of recent American foreign policy and why it has been plagued by disasters like the “forever wars” in Iraq and Afghanistan. Instead of a long hoped-for era of peace and prosperity, relations with Russia and China have soured, the European Union is wobbling, nationalism and populism are on the rise, and the United States is stuck in costly and pointless wars that have squandered trillions of dollars and undermined its influence around the world. The root of this dismal record, Walt argues, is the American foreign policy establishment’s stubborn commitment to a strategy of “liberal hegemony.” Since the end of the Cold War, Republicans and Democrats alike have tried to use US power to spread democracy, open markets, and other liberal values into every nook and cranny of the planet. This strategy was doomed to fail, but its proponents in the foreign policy elite were never held accountable and kept repeating the same mistakes. Donald Trump’s erratic and impulsive style of governing, combined with a deeply flawed understanding of world politics, made a bad situation worse. The best alternative, Walt argues, is a return to the realist strategy of “offshore balancing,” which eschews regime change, nation-building, and other forms of global social engineering. The American people would surely welcome a more restrained foreign policy, one that allowed greater attention to problems here at home. Clear-eyed, candid, and elegantly written, Stephen M. Walt’s The Hell of Good Intentions offers both a compelling diagnosis of America’s recent foreign policy follies and a proven formula for renewed success. “Thought-provoking . . . This excellent analysis is cogent, accessible, and well-argued.” —Publishers Weekly (starred review)

He knew it was a dumb stunt from the start. A midnight run through a cemetery to impress a couple of girls is hardly the stuff of legend, but Alex Carlisle longs to escape the crushing mediocrity of life after high school.Then he stumbles upon the ritual, and the cultists, and two bound and bloodied women. Alex intervenes and the ritual blows up in his face, leaving him bound to them both: Rachel and Lorelei, an angel and a succubus. It's hardly the sort of challenge a guy can face with dignity when he still lives at home with his mom.Alex never imagined falling for an immortal demon seductress, or that he'd spend his nights dodging her co-workers, her old boss, and every other supernatural freak in Seattle. He never thought a woman like Lorelei could have a rival like Rachel, either. But then, nobody ever said adulthood would be easy. WARNING: "Good Intentions" contains explicit sexuality, violence, nudity, inappropriate use of church property, portrayals of beings divine and demonic bearing little or no resemblance to established religion or mythology, trespassing, bad language, sacrilege, blasphemy, attempted murder, arguable murder, divinely mandated murder, justifiable murder, filthy murder, sexual promiscuity, kidnapping, attempted rape, arson, dead animals, desecrated graves, gang activity, theft, assault and battery, panties, misuse of the 911 system, fantasy depictions of sorcery and witchcraft, multiple references to various matters of fandom, questionable interrogation tactics, cell phone abuse, reckless driving, consistent abuse of vampires (because they deserve it), even more explicit sexuality, illegal use of firearms within city limits, polyamory, abuse of authority, hit and run driving, destruction of private property, underage drinking, disturbances of the peace, disorderly conduct, internet harassment, bearers of false witness, mayhem, dismemberment, falsification of records, tax evasion, an uncomfortably sexy mother, bad study habits, and a very silly white guy inappropriately calling another white guy "nigga" (for which he will surely suffer).

“Best Intentions is that rare novel that grows more gripping and emotionally rich with every turn of the page.” —Carla Buckley Marti Trailor—social worker on hold, mother of three, wife of a successful obstetrician, daughter of a Congressman—is ready to go back to work. She’s thrilled when the perfect opportunity falls in her lap. The catch? The job is at her husband's hospital and he seems not to share her enthusiasm. Undeterred, she takes the position counseling vulnerable young women as they prepare to give birth. Marti quickly begins to feel like she is making a difference in the lives of her clients. Soon, though, she finds herself caught up in the dark side of the medical center—with its long hours, overworked doctors and entrenched practices. When she witnesses something she can't unsee, Marti, who has always done her best to keep a low-profile, finds herself thrust under a dangerous spotlight with all of Richmond, Virginia watching. In her captivating domestic suspense novel Best Intentions, Erika Raskin weaves together high stakes hospital politics, the pressures of family life, and the consequences of trying to do the right thing, particularly in a city with a history as fraught as Richmond's.

For more than thirty-five years, Thomas W. Dichter has worked in the field of international development, managing and evaluating projects for nongovernmental organizations, directing a Peace Corps country program, and serving as a consultant for such agencies as USAID, UNDP, and the World Bank. On the basis of this extensive and varied experience, he has become an outspoken critic of what he terms the "international poverty alleviation industry." He believes that efforts to reduce world poverty have been well-intentioned but largely ineffective. On the whole, the development industry has failed to serve the needs of the people it has sought to help. To make his case, Dichter reviews the major trends in development assistance from the 1960s through the 1990s, illustrating his analysis with eighteen short stories based on his own experiences in the field. The analytic chapters are thus grounded in the daily life of development workers as described in the stories. Dichter shows how development organizations have often become caught up in their own self-perpetuation and in public relations efforts designed to create an illusion of effectiveness. Tracing the evolution of the role of money (as opposed to ideas) in development assistance, he suggests how financial imperatives have reinforced the tendency to sponsor time-bound projects, creating a dependency among aid recipients. He also examines the rise of careerism and increased bureaucratization in the industry, arguing that assistance efforts have become disconnected from important lessons learned on the ground. In the end, Dichter calls for a more light-handed and artful approach to development assistance, with fewer agencies andexperts involved. His stance is pragmatic, rather than ideological or political. What matters, he says, is what works, and the current practices of the development industry are simply not effective.