Good Housekeeping was one of very few publications that was printed throughout the war, despite paper shortages and rations. Lovingly selected from Good Housekeeping’s archive, this nostalgic facsimile reproduction of the food, fashion, fiction and fitness features that formed the backbone of Britain’s wartime homemaking is sure to delight and inspire. Including stories and adverts, along with the cleaning and craft tips that defined the ‘make do and mend’ generation, this is empathetic history at its most charming and evocative. With features ranging from managing without milk to how to get on with Americans, this compendium is at once practical, amusing and even moving. With a no-nonsense cloth-bound jacket featuring one of the most memorable magazine covers from the decade, this really is the perfect nostalgic treat.

A collection of recipes for a variety of classic American dishes, with photographs and stories that trace the history of food in the United States.

It is intended that women be happy and successful in their homemaking. Being a homemaker is a divine appointment and is a woman’s greatest calling. It should be rich in the rewards of joy, satisfaction and accomplishment. All too often, however, women feel confused, distraught or bored with their role as homemakers. They frequently dread each day, live for the time when their children will be raised so they can be released from it all, or they escape from their responsibilities to their home and family and return to the business world. Other women do enjoy their homemaking activities but find their work consumes most of their day and there is little time for other interests. Many women are wonderful homemakers and managers but are eager for new ideas and skills to make their homemaking even more effective and satisfying. To all of these women, this book offers a practical guide to happier homemaking. It recalls to mind the significance of homemaking and gives their attitude a lift. When the suggestions concerning order and efficiency, methods and approaches are applied, coupled with the workable plan which systematizes the routine duties, women will find their interest in homemaking greatly increasing and that there will be time to get their work done and enjoy creative activities, family fun and personal development. This is not just a book on how to keep house; it offers a way of life which will bring joy and satisfaction to the homemaker and rich, happy experiences to every family member.

'House' has long been synonymous with 'home': the significance of four walls and a roof lies far deeper than simply shelter from the elements. A house stands for sanctuary, family, belonging, privacy and our pasts: even when standardised as a 'Barratt Home' or modern housing estate, every house bears the stamp of the people who live in it, remaining a bastion of quirky individualism. The Great Indoors is the first cultural history of the family home in the twentieth century, comparable to Rachel Hewitt's Map of a Nation or Joe Moran's Queuing for Beginners. As society has changed, so has the house: the hall - which had its finest hour during the middle ages, when families and their servants ate, slept and socialised there together - has now been relegated to a mere passageway, only useful for getting to other (more private) rooms. Highmore shows how houses display the currents of class, identity and social transformation that are displayed in the arrangement and use of the family home. And he also offers an engaging and stimulating peek through the curtains to explain why the fridge is used as a communication centre, how the loo (or toilet) inspired its very own literary genre and what your furniture arrangement reveals about how you function as a family.

In the mid-twentieth century, Virginia Woolf published ‘Six Articles on London Life’ in Good Housekeeping magazine, a popular magazine where fashion, cookery and house decoration is largely featured. This first book-length study of what Woolf calls ‘little articles’ proposes to reassess the commissioned essays and read them in a chronological sequence in their original context as well as in the larger context of Woolf’s work. Drawing primarily on literary theory, intermedial studies, periodical studies and philosophy, this volume argues the essays which provided an original guided tour of London are creative and innovative works, combining several art forms while developing a photographic method. Further investigation examines the construct of Woolf’s essays as intermedial and as partaking both of theory and praxis; intermediality is closely connected here with her defense of a democratic ideal, itself grounded in a dialogue with her forebears. Far from being second-rate, the Good Housekeeping essays bring together aesthetic and political concerns and come out as playing a pivotal role: they redefine the essay as intermedial, signal Woolf’s turn to a more openly committed form of writing, and fit perfectly within Woolf’s essayistic and fictional oeuvre which they in turn illuminate.

This book brings an era to life with vivid stories and information from those who were there. During World War Two, 90% of the British population remained civilians. The War affected daily life more than any other war had done before. The majority of British people faced this will fortitude, courage and determination and this is their story, the telling of events and situations that forced their ingenuity and survival instincts to rise. Make do and mend came to mean so much more than reworking old clothes and this book describes the enterprise that went on and has long been forgotten. From the coasts and the countryside, this is how those at home faced and fought the war passively, particularly women whose job it was to keep the home fires burning. These ordinary people were crucial to the war effort; without their courage and inventiveness, the outcome could have been very different. Packed with interviews, photographs and other firsthand information, this book will appeal to all those who were there, but even more for those with little or no experience of World War Two, who will gain insights into the humor, strength and creativity that emerged in the face of hardship and tragedy. The book explores how people lived in Britain during times of fear, hardship and uncertainty; how they functioned and supported those away fighting and how they dealt with the enormous challenges and adversities