“Shelby and her art are extremely my shit. You need this book.” —Samantha Irby, New York Times bestselling author of We Are Never Meeting in Real Life “The rare Instagram-turned-book that actually works.” —Jezebel A wickedly funny illustrated look at living and dating in a patriarchal culture that celebrates men for displaying the bare minimum of human decency Surely you’re familiar with good boys. They’re the ones who put “feminist” in their Tinder bio but talk over you the entire date. They ghost you, but they feel momentarily guilty. They once read a book by a woman author. (It was required, but they thought it was “okay.”) And of course, they bravely condemn sexual harassment (except when the perpetrator is their buddy Chad). This book explores why so-called and self-proclaimed good boys are actually not so great, breaking down our obsession with celebrating male mediocrity and rewarding those who clear the very low bar of not being outwardly awful. Through clever illustrations and written vignettes, Awards for Good Boys makes literal the tendency to applaud men for doing the absolute least and offers hilarious and cathartic cultural commentary through which we may begin to unravel our own assumptions about gender roles and how we treat each other, both on and offline.

AN ABUSIVE MOTHER Raised in the suburb of Riverside, California, twenty-year-old college student Jason Bautista endured for years his emotionally disturbed mother's verbal and psychological abuse. She even locked him out of the house, tied him up with electrical cord, and on one occasion, gave him a beating that sent him to the emergency room. His fifteen-year-old half brother Matthew Montejo also was a victim to Jane Bautista's dark mood swings and erratic behavior, but for some reason, Jason received the brunt of the abuse—until he decided he'd had enough... A SON'S REVENGE On the night of January 14, 2003, Jason strangled his mother. To keep authorities from identifying her body, he chopped off her head and hands, an idea he claimed he got from watching an episode of the hit TV series "The Sopranos." Matthew would later testify in court that he sat in another room in the house with the TV volume turned up while Jason murdered their mother. He also testified that he drove around with Jason to find a place to dump Jane's torso. A CRIME THAT WOULD BOND TWO BROTHERS The morning following the murder, Matthew went to school, and Jason returned to his classes at Cal State San Bernardino. When authorities zeroed in on them, Jason lied and said that Jane had run off with a boyfriend she'd met on the Internet. But when police confronted the boys with overwhelming evidence, Jason confessed all. Now the nightmare was only just beginning for him...

In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.

Examines ten years in the lives of Michael, Chris, and Drew, college pals--two straight and one gay--who face the choices and boundaries of adulthood.

DIVDIVA collection of dazzling and thought-provoking essays from lauded author Mary Gordon/divDIV Much acclaimed for her novels, Mary Gordon is also a brilliant and wide-ranging essayist. Gathering together twenty-eight of her forays into nonfiction, Good Boys and Dead Girls provides a richly autobiographical context for the themes that mark her fiction, such as Irish-American life, Catholicism, embattled families, and the redeeming power of art. Many of the pieces offer insights into artists and other writers: There are admiring accounts of Edith Wharton, Stevie Smith, and Ford Madox Ford, and a piquant critique of the depiction of women by certain celebrated male novelists. Whatever the topic at hand, Gordon proves lively and illuminating company. /divDIV/div/div

A fierce encounter between fathers, one black and one white, opens a deeply disturbing chapter in their lives. The men relive the school shooting in which their sons died, one a victim and the other the shooter. When racial issues threaten to derail all hope for understanding and forgiveness, the black father's other son takes matters into his owns hands. He pushes the confrontation to a dangerous and frightening climax. Good Boys explores the pressures of modern family life and the breaking points of men and boys, and it raises the question: To what extent are parents responsible for their children's behavior? This topical drama by the author of Keely and Du premiered at the Guthrie Theater in Minneapolis.

From New York Times bestselling author Elle Kennedy and USA Today bestselling author Sarina Bowen comes the first in the spin-off series of their wildly successful Him and Us books. "We're way more than friends, Jessie." "Blake—" "But no worries. I'll just sit tight until you figure that out." Hosting her brother's wedding for an MVP guest list is the challenge of Jess Canning's life. Already the family screw-up, she can't afford to fail at this, too. Especially after the colossal mistake she made with the best man during a weak moment last spring. Nobody—absolutely nobody—can find out about that, and there will not be a repeat. Absolutely not. No matter how devastatingly sexy his smile, he's a giant manchild who's never been serious in his life. And if Jess wants to prove herself to her family, serious is what she has to get. For Blake Riley, this wedding is a gift from fate itself. The girl he has his eye on is the maid of honor, and he's the best man? Let the games begin. So what if Jess is giving him a little—fine, a lot—of resistance? He just needs to convince the stubborn blonde that he's really a good boy with a bad rap. Beneath the flirty jokes and goofy smile, he's got layers—even if Jess doesn't want to see them. Luckily, every professional hockey player knows that you've got to make an effort if you want to score. And Jess is just the girl he wants to win.