Playing off "The Wheels on the Bus," this nursery rhyme book from a founder of Drag Queen Story Hour is a fun, freewheeling celebration of being your most fabulous self. The Hips on the Drag Queen Go Swish, Swish, Swish encourages readers to boldly be exactly who they are. Written by a founding member of the nationally recognized Drag Queen Story Hour (DQSH), this playful picture book offers a quirky twist on a classic nursery rhyme by illustrating all of the ways to "work it". The story plays off "The Wheels on the Bus" as it follows a drag queen who performs her routine in front of an awestruck audience. A fun frenzy of fierceness, this book will appeal to readers of all ages.

Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. “High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood,” by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In “Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire,” Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. “Lookin’ for the Bully: An Enquiry into a Song and Its Story,” by Paul Oliver traces the origins and the many avatars of the Bully song. In “That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s,” Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. “Coolidge’s Blues: African American Blues from the Roaring Twenties” is Guido van Rijn’s survey of blues of that decade. Robert Springer's “On the Electronic Trail of Blues Formulas” presents a number of conclusions about the spread of patterns in blues narratives. In “West Indies Blues: An Historical Overview 1920s-1950s,” John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in “Ethel Waters: ‘Long, Lean, Lanky Mama,’” Randall Cherry reappraises the early career of this blues and vaudeville singer

Presenting a singing course with songs and support for teachers, this programme enables development and regular practice of essential musical skills, focusing on the singing voice. It is flexible to be used as a self-contained singing course or as supplementary material to others schemes.

British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.

2024 Spur Award Winner! 2024 Will Rogers Medallion Award Winner! Grand Prize Winner for the 2023 Chanticleer Laramie Award for Americana Fiction! "A novel as compelling as the incredible true story it's based on." James Wade, two-time Spur Award-winning author of Beasts of the Earth. When Santa Claus enters a Texas bank just before Christmas in 1927, no one expects him to pull a gun. The fake white beard hides his dentity from his neighbors while he and three others take everything. But their easy heist goes sideways fast when armed lawmen and citizens assemble to claim a new reward for dead bank robbers. Taking hostages, the gang forces a path through a frenzied and bloody shootout, setting the whole Lone Star state on their trail. One bandit dies in the getaway. One is executed in the electric chair. One swings from a rope in a mob lynching. The last man finds a life he always hoped for … if only he can keep it. Closely based on a true crime, The Last Man is a gritty Prohibition-era Western novel filled with flawed characters and second chances. "Do not miss this fabulous Texas tale!” Kathleen Y’Barbo, Publishers Weekly bestselling author of The Black Midnight and the Bayou Nouvelle series.

I do hope these writings will be very inspirational to you and will inspire you with more hope for the future. I have written a lot of truck-driving songs and humorous songs also. You will find songs and poetry for different holidays too. So come on and lets go on a journey into the past, the present, and hope for the future.

Congregations that are alive and vibrant have vital music programs. How did they get that way? There are sensible and practical steps to develop such a program which begins with a clear vision of the end product. This book addresses the many interrelated issues of defining and embracing the leadership role in the church music program that is required of clergy in parish ministry and essential for a healthy congregation. Clergy and musicians work toward the same goals; however, clergy are trained differently from musicians. How does this fact impact their relationship, and how can they learn to work together in an atmosphere of mutual respect? The practical issues of employment can be addressed more effectively in this atmosphere. If one is looking for the right musician for the parish, what qualities does one seek? How does one find such a rare and gifted individual? A successful search complete, how does the clergyperson work harmoniously with the music leader? This book provides a blueprint for: • Developing a vision for music in your parish • Locating a musician who is a partner in ministry • How music comes and goes in the church’s repertoire • Moving from musician as performer to musician as pastor