This standalone document is taken from the author’s comprehensive horological study, American Backcountry Tall Clock; it is a collection of "time setting" information and addendum's in one document. Photographs and charts along with explanatory notes tell about one aspect of a brilliant craftsman’s work while living in the backcountry of early America. Read on to learn about Noon Marks, Sundials, and how they were used to set time before smart phones, dial phone time service, and bells pealing the hour from church and town hall belfries. Chandlee’s customers will surprise you, including an important Founding Father, Chief Justice John Marshall. The focus is determining the correct time. This at a period when only a few owned clocks. It was before the advent of time zones, and when people were likely buying their first timepiece. This ePublication entertains and informs through pictures, graphics and hyperlinks to enhance understanding and learning; supplemented with the spare use of words. Hyperlinks lead to educational and enjoyable information on the internet. Researchers will profit from photographs and unique documents.

This work contains the apprenticeship detail of over 14,000 clockmakers, watchmakers and others involved in the horological trade, listed under both the apprentice and his master, extracted from tax records in the Public Record Office.

Paint, Pattern, and People explores the fascinating and diverse furniture of southeastern Pennsylvania through the people who made, owned, inherited, and collected it. Delving into the cultures and creativity of the area's inhabitants, primarily those of British and Germanic heritage, this comprehensive work looks closely at localisms and regionalisms of form, ornament, and construction that were influenced by ethnicity, religious affiliation, settlement patterns, socioeconomic status, and the skills of the craftsmen. William Penn's policy of religious tolerance attracted people of various faiths and ethnic backgrounds, making Pennsylvania the most culturally diverse of the thirteen colonies. Through the study of well-documented furniture, fraktur, needlework, paintings, and architecture produced by this mixed multitude, the region's great diversity comes into focus. Paint, Pattern and People is a significant contribution to the literature in the field, presenting new scholarship as well as never-before-published furniture and related objects.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An annual publication forging a link between social history, American studies, and the decorative arts