“I was born in a small town in Germany at the wrong time in history, the beginning of the Nazi era.” Altura recalls how one early November evening, about forty Schutztaffel men break down the door of their home, destroy all their belongings, and drag her father out onto the street where they proceed to beat him nearly to death. He is then placed in a prison cell before being shipped off to Dachau concentration camp. That traumatic experience, the first of several Altura would soon endure, marked the end of her childhood, just two weeks after her seventh birthday; and signified the beginning of ten agonizing years of surviving the Holocaust. More fortunate than most, however, her family is ultimately reunited and immigrate to “golden America.” Shortly after settling in the United States, her mother—the family’s saving grace—succumbs to brain cancer, leaving Altura in profound sadness. After a painful past, she finally finds a sense of purpose and fulfillment working in a lab where she meets her future husband, Burt, who introduces her to the joys of living.

Odnoetazhnya Amerika (One-Storied America) First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles MalamuthThis is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. We Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with "Little Golden America."It describes the adventures of the two authors, Ilya Ilf and Eugene Petrov, who arrived in New York City on the passenger ship Normandie. After one month in New York, they bought a car and started traveling around the United States. They went to Chicago and San Francisco and then swept back through the Southern States. When they arrived back in New York to return to Europe, they said that they had traveled ten thousand miles.

A Time 100 Must-Read Book of 2020 • A New York Times Book Review Editors' Choice • California Book Award Silver Medal in Nonfiction • Finalist for The New York Public Library Helen Bernstein Book Award for Excellence in Journalism • Named a top 30 must-read Book of 2020 by the New York Post • Named one of the 10 Best Business Books of 2020 by Fortune • Named A Must-Read Book of 2020 by Apartment Therapy • Runner-Up General Nonfiction: San Francisco Book Festival • A Planetizen Top Urban Planning Book of 2020 • Shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social Justice “Tells the story of housing in all its complexity.” —NPR Spacious and affordable homes used to be the hallmark of American prosperity. Today, however, punishing rents and the increasingly prohibitive cost of ownership have turned housing into the foremost symbol of inequality and an economy gone wrong. Nowhere is this more visible than in the San Francisco Bay Area, where fleets of private buses ferry software engineers past the tarp-and-plywood shanties of the homeless. The adage that California is a glimpse of the nation’s future has become a cautionary tale. With propulsive storytelling and ground-level reporting, New York Times journalist Conor Dougherty chronicles America’s housing crisis from its West Coast epicenter, peeling back the decades of history and economic forces that brought us here and taking readers inside the activist movements that have risen in tandem with housing costs.

Now the littlest readers can learn about how the Statue of Liberty came to be—and what it means to people all over the world. In this engaging book, preschoolers will learn the fascinating story behind the creation of the Statue of Liberty. Simple words and bright artwork bring to life the story of the people—a professor, a sculptor, a poet, a newspaperman—who helped establish this famous landmark. Little ones will learn that the torch was created first, in time for America's 100th birthday, and displayed in a park. And they'll gain a clear understanding of what the Statue of Liberty has always meant to people around the world. Fun facts, such as how schoolchildren gave their pennies to help pay for the base of the statue, complete this charming nonfiction Little Golden Book.

Odnoetazhnya Amerika (One-Storied America) First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. We Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with “Little Golden America”.It describes the adventures of the two authors, Ilya Ilf and Eugene Petrov, who arrived in New York City on the passenger ship Normandie. After one month in New York, they bought a car and started traveling around the United States. They went to Chicago and San Francisco and then swept back through the Southern States. When they arrived back in New York to return to Europe, they said that they had traveled ten thousand miles.

Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.