In these classic mystery tales, literature is a matter of life or death Of crime fiction’s many sub-genres, none is so reflexive and so intriguing as the “bibliomystery”: stories that involve crimes set, somehow, in the world of books. In Vincent Starrett’s “A Volume of Poe,” a bookseller is murdered; in Ellery Queen’s “The Adventure of the Three R’s,” the detective tracks the disappearance of a local Missouri author; and a killer stalks the stacks of the New York Public Library in Robert L. Blochman’s “Death Walks in Marble Halls.” With fourteen tales of bibliophilic transgression from the Golden Age of the mystery genre (the decades between the two World Wars), this volume collects stories guaranteed to entertain, featuring work from well-remembered authors such as Cornell Woolrich and Anthony Boucher and from those that are lesser-known today, such as Carolyn Wells and James Gould Cozzens. Edgar Award-winning anthologist, editor, bookseller, and mystery scholar Otto Penzler has focused extensively on the history of the bibliomystery, and his expertise shines in this enjoyable collection—both in the selection of stories, and in the informative and illuminating introductions that accompany each one.

In these classic mystery tales, literature is a matter of life or death

Specially commissioned by the Mysterious Bookshop, the “bibliomysteries” in this unique collection feature original stories by the genre’s most distinguished authors: Ian Rankin, Thomas Perry, Joyce Carol Oates, Megan Abbott, and Elizabeth George. If you like mysteries and you like books, what could be better than combining both worlds, with mysteries set against a background involving books? This collection of crime for bibliophiles includes stories about rare books, bookshops, libraries, manuscripts, magical books, collectors—in short, the wonderful universe that makes this precious object we all love so important and priceless. Ian Rankin sets his tale of the lost original manuscript of Dr. Jekyll and Mr. Hyde in the legendary Paris bookshop Shakespeare & Co., while F. Paul Wilson offers a book with remarkable powers. Joyce Carol Oates portrays an overly ambitious dealer in mystery fiction, while James Grady has the “Condor” working in the Library of Congress. Ste- phen Hunter tells a previously unknown story of Alan Turing set during World War I—involving a book that could change the history of the world—and Peter Lovesey writes about a box full of Agatha Christie titles that just may be priceless. Carolyn Hart’s story is about an astonishing inscription in a book, while Megan Abbott and Denise Mina add their Edgar-nominated stories to this stellar collection. Whether your taste is for the traditional mystery, something a little more hard-boiled, or the bizarre and humorous tale, you will find exactly your cup of tea in this outstanding collection of fifteen stories by the most distinguished mystery writers working today. Including stories by: Peter Lovesey, F. Paul Wilson, Lyndsay Faye, Bradford Morrow, R. L. Stine, Joyce Carol Oates, Thomas Perry, Elizabeth George, Carolyn Hart, Megan Abbott, Stephen Hunter, Denise Mina, James Grady, Ian Rankin, and James W. Hall.

Fifteen puzzling tales from the masters of the mystery genre Depending on who you ask, the term “whodunit” was first coined sometime around 1930, but the literary form predates that name by several decades. Still, it was in the years between the two World Wars—the so-called “Golden Age” of mystery fiction—that the style flourished. Short mysteries were published far and wide by a variety of authors, not just those primarily associated with the genre. They appeared in The Saturday Evening Post, Cosmopolitan, The New Yorker, and other high-end periodicals that still exist today. These tales were, in short, among the most popular diversions in literature and were of the highest caliber. In this volume, Edgar Award–winning anthologist Otto Penzler collects some of the finest American whodunits of the era, including household names and welcome rediscoveries. F. Scott Fitzgerald, Ellery Queen, and Mary Roberts Rinehart are all included, as are Ring Lardner, Melville Davisson Post, and Helen Reilly. The result is a cross section of the whodunit tale in the years that made it a staple in mystery fiction.

A speakeasy performer is murdered in this pioneering mystery from the mother of the police procedural. When one of New York’s favorite dancers is killed in a crowded high-tone speakeasy, everyone present becomes a suspect—and those that may have eluded questioning as well. It’s up to Inspector McKee of the NYPD to sift through the witness statements, separate fact from fiction, and put together a picture of the crime as it happened in order to discover what’s missing from the official narrative. And in the process, he’ll uncover a story that leads back into the past, with blackmail and stolen emeralds lurking in the shadows.… As McKee’s case comes into focus, a rich and confounding mystery plot is revealed, which will take all of the inspector’s resources to solve. Along the way, the inner workings of the New York City police department in the 1930s is on full display, including the line-ups, the radio room, the morgue, and the fingerprinting office—technologies that were at the cutting edge of the era’s fight against crime. Reissued for the first time eighty years, McKee of Centre Street is one of the first police procedurals ever written by a woman. The novel’s realistic New York setting and insightful view of police work was an instant hit with fans and its lead character went on to star in over thirty books.

Asey Mayo, the “Codfish Sherlock Holmes,” investigates the murder of a traveling performer. When the Cape Cod Players roll into towns along the lower Cape, the locals expect a great show, replete with games, magic, and merriment. Of course, they usually have an audience, too. When Boston widow Victoria Ballard, visiting the Cape to recover from a near-fatal bout with pneumonia, comes upon the troupe near her rural convalescent home, she ascertains that someone has played a nasty trick on the players, sending them to a remote destination in the wild backcountry in search of a paying gig. Sympathetic to the plight of the ragtag group, Vic invites them to stay the night with her, but when day breaks to find the lead magician with a bullet in his head, she realizes the cruel trick that brought the travelers to her home may have been part of a deadly plot—and that she may have been an unwitting participant. Enter Asey Mayo, Cape Cod’s answer to Sherlock Holmes. Armed only with folksy wisdom, Cape Cod dictums, and plenty of common sense, the jack-of-all-trades is quick to tackle the puzzling case of the murdered performer. But in order to solve the case, he’ll have to confront a curious assortment of clues and suspects odder than any he’s encountered in his long career. An amusing and atmospheric mystery set in early 1930s Cape Cod—a region still struggling to reemerge from the Great Depression and at the same time carefully guarding itself against the burgeoning tourism industry—The Mystery of the Cape Cod Players is a delightful Golden Age whodunnit that glimmers with period detail. Anyone interested in classics of the era, or in Cape Cod history in general, will find plenty to enjoy herein.

The cult classic mystery that John Dickson Carr hailed as “a marvel of ingenuity.” “I came here to make a dead man change his mind.” So begins a creepy and unusual mystery celebrated to this day as one of the greatest “impossible crime” novels of all time. When a family’s promise to protect the beloved pine grove of their dead father creates a financial strain, a seance is suggested to summon the ghost of the late logger and ask its permission. A mixed group of skeptics and believers convene at a snow-bound lodge to call the spirit with a group that includes a gambler, a businessman, a clairvoyant, a professor, and a refugee, among others. With so many diverse interests at the table, the tensions run high — but when one of the participants ends up dead, there is reason to suspect that a nefarious spirit is to blame. The body is discovered in a locked room, impenetrable from the outside — just one of many bizarre and inexplicable circumstances surrounding the scene of the crime. There is also the trail of footprints in the snow, beginning and ending amid a field of untouched powder; another on the roof, with the tracks leading for a short distance before vanishing into nothingness; and, there are fingerprints on a gun suspended at an unreachable height… Supernatural undertones and eerie atmosphere clear away in the third act to present a logical conclusion to the case, teasing out the clues and murder methods that unscrupulous readers may have missed. With its off-beat exposition, puzzling plot and exceptional prose, Rim of the Pit is a cult classic of the Golden Age era deserving of a wide audience today.