Brianna's man Zan is firmly in the clutches of the savage, tropical giants of mystic Ooshoosh Island, imperiled by sacrifice in a deadly "Smooshing" ritual! (His partner (and Gina's current squeeze), Nez, is studying the tribe and is sure Zan will be perfectly safe.) Brianna and Gina load up on whatever they can get to fight off an island of thirty-foot-tall, amorous, psychotic nymphomaniacs! An over-the-top, tongue-in-cheek humor issue.

It's the spring of 1898 and Dawson, Yukon Territory, is the most exciting town in North America. The great Klondike Gold Rush is in full swing, and Fiona MacGillivray has crawled over the Chilkoot Pass, determined to make her fortune as the owner of the Savoy dance hall. But Fiona has many obstacles to overcome, including her 12-year-old son, who is growing up much too fast for her liking. As well, she must cope with a former Glasgow street fighter who is now her business partner; a stern, handsome North West Mounted Police constable named Richard Sterling; and a wild assortment of headstrong dancers, croupiers, gamblers, madams without hearts of gold, bar hangers-on, and sourdoughs. Not to mention Fiona's own nimble-fingered past, which just might get to her first. And then there's the dead body on center stage.Gold Digger is a light-hearted historical mystery, peopled with an array of intrepid characters, the kind of characters who flooded into the Klondike to make Dawson, in its very short heyday, the most exciting town in the world. At the center of the hullabaloo is Fiona MacGillivray: resourceful, unscrupulous, ambitious, and (as she says herself) the most beautiful woman in Dawson. Gold Digger is the first in a new series featuring Fiona MacGillivray, her son Angus, NWMP Constable Richard Sterling, and the town at the heart of the Last Great Gold Rush, Dawson, Yukon Territory.

Kentia, Kirrah, and Theori face challenges in their relationships while preying on men for money.

Tale of a boy who gets separated from his family on the way to the gold fields of California, gets rich and finds his long-lost grandfather. Gerstaecker was a German who prospected in the 1849 gold rush, and the geography of the story is accurate. Gerstaecker wrote many non-fiction works on California and America for German readers.

The Gold Digger's Club follows three friends: Monica Hatcher, the wife of a popular NFL player; Deidre (Dee) Wright, the outspoken fashion stylist; and Stephanie Robinson, the unmotivated video girl. They want success, money and status, and they get it the best way they know how: through the men in their lives. In the beginning all their sneaking, lying and manipulating pays off. But after dirty lies and old secrets come to light, the women's newfound happiness comes close to falling apart.

This book explores one of the most popular genres in film history. Combining classic and recent articles, each section explores a central issue of the musical, including: the musical's significance as a genre; the musical's own particular representation of sexual difference; the idea of camp, both through stars such as Judy Garland and Carmen Miranda and musicals themselves; and the displacement of race in Hollywood's representations of entertainment. Each section features an editor's introduction setting debates in context.

The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.