Molly Fielding's mother had been a terrible woman...' A terrible woman indeed. One need only to look at the old sepia photograph to see a vision of nastiness. The look of cunning, the self-satisfied smile, the aura of hauteur as she watches the little Italian photographer go about his business. They say the camera never lies, but maybe this one did... 'Going into the Dark House', the title story of Jane Gardam's passionate new collection, brilliantly captures the subtly subversive qualities of her art. Quietly mesmeric and quite beautifully written, these ten stories are a delight.

What's your worst nightmare? For Ivy Jensen, it's the eyes of a killer that haunt her nights. For Parker Bradley, it's bloodthirsty sea serpents that slither in his dreams. And for seven essay contestants, it's their worst nightmares that win them an exclusive, behind-the-scenes look at director Justin Blake's latest, confidential project . Ivy doesn't even like scary movies, but she's ready to face her real-world fears. Parker's sympathetic words and perfect smile help keep her spirits up. . . at least for now. Not everyone is so charming, though. Horror-film fanatic Garth Vader wants to stir up trouble. It's bad enough he has to stay in the middle of nowhere with this group???the girl who locks herself in her room; the know-it-all roommate; "Mister Sensitive"; and the one who's too cheery for her own good. Someone has to make things interesting. Except, things are already a little weird. The hostess is a serial-killer look-alike, the dream-stealing Nightmare Elf is lurking about, and the seventh member of the group is missing. By the time Ivy and Parker realize what's really at stake, it's too late to wake up and run.

Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.

A weekend away deep in the English countryside takes a sinister turn in this suspenseful and compulsive debut psychological thriller. Sometimes the only thing to fear...is yourself. Leonora (Lee to some, Nora to others) is a reclusive writer, but when an old friend unexpectedly invites her to a weekend away in an eerie glass house, she reluctantly agrees to make the trip. But a haunting realization creeps in to the party: they are not alone in the woods. Forty-eight hours later, Nora wakes up in a hospital bed with the knowledge that someone is dead. Wondering not “what happened?” but “what have I done?” she tries to piece together the events of the past weekend. In order to uncover secrets and reveal motives, Nora must revisit parts of herself that she’d rather leave buried where they belong: in the past. In the vein of The Girl on the Train and Gone Girl, this gripping thriller will have readers on the edge of their seats until the very last page.

A dark fairytale, full of witchcraft, where nothing is as it seems Once upon a time there was and there wasn't a woman who went to the woods. In this dark fairy tale, a young woman sets off to pick berries in the depths of the forest, but can't find her way home again. Or perhaps she has fled or abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the wilderness. Alone and possibly lost, she meets another woman who offers her help. Then everything changes. On a journey that will take her to the depths of the witch-haunted woods, through a deep well wet with the screams of men, and on a living ship made of human bones, our heroine may find that the evil she flees has been inside her all along. Laird Huntis an American writer and translator. He has written seven novels, including Neverhome, which was a New York Times Book Review Editor's Choice selection, an IndieNext selection, winner of the Grand Prix de Littérature Américaine and The Bridge prize, and a finalist for the Prix Femina Étranger. His In the House in the Dark of the Woods is also available from Pushkin Press. A resident of Boulder, CO, he is on the faculty in the creative writing PhD program at the University of Denver.

A corpse, burned beyond recognition, has been uncovered in a vacant warehouse in Southwark . . . A young, beautiful hospital administrator has vanished without a trace, her past a mystery to even her closest friend . . . And across the City, within an old, dark, rambling house, a rigidly controlling, anonymous woman is holding ten-year-old Harriet hostage. While innocent lives hang in the balance, sinister truths unfurl and DS Duncan Kincaid and DI Gemma James must call upon all resources to work together on their most menacing case yet . . . ‘Deborah Crombie just keeps getting better and better. In a Dark House is utterly compelling’ PETER ROBINSON