Cutting-edge scholarly articles on diverse aspects of Goethe and the Goethezeit, featuring in this volume a special section on acoustics around 1800. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 25 features a special section on acoustics around 1800, edited by Mary Helen Dupree, which includes, among others, contributionson sound and listening in Ludwig Tieck's Der blonde Eckbert (Robert Ryder) and on the role of the tympanum in Herder's aesthetic theory (Tyler Whitney). The volume also contains essays on Goethe and stage sequels(Matthew Birkhold), on figures of armament in eighteenth-century German drama (Susanne Fuchs), on the dialectics of Bildung in Wilhelm Meister (Galia Benziman), on the Gothic motif in Goethe's Faust and "Von deutscher Baukunst" (Jessica Resvick), on Goethe and Salomon Maimon (Jason Yonover), on Goethe's "Novelle" (Ehrhard Bahr), and on Schiller's Bürger critique (Hans Richard Brittnacher). Contributors: Ehrhard Bahr, Galia Benziman, Matthew H. Birkhold, Hans Richard Brittnacher, Linda Dietrick, Mary Helen Dupree, Susanne Fuchs, Deva Kemmis, Jessica C. Resvick, Robert Ryder, Patricia Anne Simpson, Chenxi Tang, Tyler Whitney, Jason Yonover, Chunjie Zhang. Adrian Daub is Associate Professor of German at Stanford University. Elisabeth Krimmer is Professor of German at the University of California Davis.

This year's volume is highlighted by a special section on Goethe's narrative events in addition to a range of other articles from emerging and established scholars.

A publication of the Goethe Society of North America, carrying Goethe criticism (and studies of his contemporaries); extensive book review section. The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in Englishduring the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.

A new crop of essays on topics in the literature of Goethe and the Goethezeit, with a special section providing innovative readings of Goethe's lyric poetry. The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 20 contains a special section on Goethe's lyric poetry with contributions from leading scholars. The essays incorporate a range of new methodologies that provide innovative readings of Goethe's most important poems, including contributions by Benjamin Bennett on Faust and Daniel Wilson on the West-östliche Divan. The volume also includesessays on Götz von Berlichingen, the Sturm-und-Drang sublime, the Nibelungenlied's place within Weltliteratur, as well as an examination of Schiller's notion of freedom. Contributors: Constantin Behler, Benjamin Bennett, Frauke Berndt, Fritz Breithaupt, Hannah Vandegrift Eldridge, Andrew Erwin, Patrick Fortmann, Edgar Landgraf, Horst Lange, Charlotte Lee, Claudia Maienborn, Joseph D. O'Neil, Elizabeth Powers, Christian P. Weber, W. Daniel Wilson. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.