A deeply thoughtful, deeply irreverent look at the mythology of play, Gods and Games ties together Joseph Campbell's approach to myth and religion with Johan Huizinga's view of our species as Homo ludens — "Man the Game-player" — which suggests that play is a central aspect of the human spirit and human culture. "A comprehensive and clear review.... loaded with quotations both pertinent and entertaining that may be eye-openers both to traditional religionists and readers who may never have thought about play in a philosophical or religious sense." —Publishers Weekly

THE INSTANT #1 NEW YORK TIMES BESTSELLER “This story is my latest obsession.” —USA Today bestselling author, Devney Perry The gods love to play with us mere mortals. And every hundred years, we let them... I have never been favored by the gods. Far from it, thanks to Zeus. Living as a cursed office clerk for the Order of Thieves, I just keep my head down and hope the capricious beings who rule from Olympus won't notice me. Not an easy feat, given San Francisco is Zeus' patron city, but I make do. I survive. Until the night I tangle with a different god. The worst god. Hades. For the first time ever, the ruthless, mercurial King of the Underworld has entered the Crucible—the deadly contest the gods hold to determine a new ruler to sit on the throne of Olympus. But instead of fighting their own battles, the gods name mortals to compete in their stead. So why in the Underworld did Hades choose me—a sarcastic nobody with a curse on her shoulders—as his champion? And why does my heart trip every time he says I’m his? I don’t know if I’m a pawn, bait, or something else entirely to this dangerously tempting god. How can I, when he has more secrets than stars in the sky? Because Hades is playing by his own rules...and Death will win at any cost.

Examines how visionaries of ancient Shaiva wisdom defined our role in creation, how we have abandoned this role, and action we can take to creatively influence our destiny. The author spent more than 20 years in India and was one of the most distinguished orientalists.

Let’s Play Gods By: Victor Freeze Let’s Play Gods is about a young boy’s quest for glory. Too bad he didn’t know what it would cost. Many are dead and many others display powers resembling the Greek gods! With the government and a mysterious force tracking their every move, what will he do to make his world a better place? There is always a price for power.

While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.

In the unequaled and majestic contemporary technological phase of our cultural development, where democratic liberties and the means of well being are accessible to everyone; man is unsatisfied, insecure, rebellious, confused and lost. More than ever before he seems to lack the sureness of his way in life. The abundance of theories, doctrines and various philosophical, social or religious systems and moral teachings fails to provide the individual today with any clarity whatsoever. Lacking this, he turns to peripheral events, to sensational occurrences; he turns his attention to more and to glaring new models of technological products. more new things, mostly Acquiring a great multitude of these and various other things, he seems to stress his own importance, thus making an inquiry in its fundamental validity superfluous. In this way he escapes the search of his very own mission; he betrays the superior powers which demand from him his existential contribution in finding his ideals and outlining the way of his life.

Fay loves to play games. He learned how to play by a beautiful woman, Onee-chan, who had a long, red hair. In the world he is living, Gods--spirits, demons, angels, dragons--are bored and they make humans play games with them. Human players are called Apostles...and if they win ten times, Gods will grant any wish for them. Fay, winning three games a row even though he is a rookie, is said to be the best player among all Apostles. He just wishes to meet Onee-chan again if he wins ten times. But he never expected to be paired with a red-haired girl--looks just like Onee-chan!--who is a former God just awoke from a long sleep. The two of them seems to be a really good pair, but can Fay win seven more times and have his wish granted!?